Nov. 27, 2012: Thanksgiving for the Parade of New Films – Part I

Since the Navratri/Diwali/Thanksgiving/Christmas rush of holidays is in full swing, we’ve thought it justified more trips to the theater, or at least a push to see more recent releases. Bollywood seems to be shaking itself out of some of its old stale tropes and harking back, nostalgically to some of the things we’ve missed.  Very appropriate for a post-Thanksgiving post, I’d think.  In fact, we’ve gotten so much watching done, that we’ll have to split these new film reviews into two parts, and leave Julie’s older, classic film voyaging for another post. 

Julie M:  Tere Naal Love Ho Gaya (I Fell in Love With You, 2012), which I watched on DVD, was cute, somewhat. It’s not the type of film I would see if it were an American production, because it’s rather predictable, but there were some moments, mainly having to do with those funloving Punjabis.

Mini (Genelia D’Souza) is an educated and spirited girl stuck in a small Punjabi village, where her father Bhatti (Tinnu Anand) has gotten moderately wealthy running an autorickshaw business. She has also, somehow, gotten a Canadian passport, and between the wealth and the green card she is a very eligible young lady indeed. Bhatti wants her to marry the spoiled and lazy, but quite handsome, Sunny (Kartar Cheema), the son of a somewhat wealthier neighbor; however, Mini wants to have a bit of adventure before she settles down. She reluctantly agrees to the marriage to please her father but is all the while trying to hatch an escape plan.

Enter Viren (Riteish Deshmukh), one of Bhatti’s drivers and a hardworking young man whom Bhatti has just cheated out of both his dreams and his life savings. In a drunken fit, Viren crashes Mini and Sunny’s engagement party to give Bhatti a piece of his mind.  In the commotion Mini sees her chance:  she forces Viren to “kidnap” her, then phones Bhatti with a “ransom” demand, telling Viren that he can keep a share of the proceeds as repayment for what her father cheated him out of while she uses the rest of the money to escape.

Jenny K:  Sounds familiar but promising…I’ve liked Riteish more and more, especially since seeing him hold his own with Amitabh in Aladin a few years back.  And Genelia was very cute (almost too cute) in Jaane Tu…Ya Jaane Na with Imraan.  And, I heard that Riteish and Genelia got married back in February….Perfect type-casting for a cute romance.

Julie M: I’m not sure whether the film release pre-dated or succeeded the wedding, but they’d been together for a very long time before they made the film, which makes the romance film something of a vehicle for both of them. 

Anyway, Viren, bowled over by her audacity, agrees and they find a vacant house to hide out in for a few days while Bhatti gathers the funds. Of course they start to fall in love while having adventures like crashing a wedding, scrounging for cash and going through the obligatory “who sleeps where” tamasha in their purloined residence. The wedding-crash scene was  predictable but still fun.

On the day of the ransom payment they go to the rendezvous point and…both of them get kidnapped for real! by the notorious kidnapper Chowdhary (Om Puri), who proceeds to demand additional ransom from Bhatti.

Is this enough adventure for Mini or has it gone too far? What will she, and everyone else, do when she finds out that Chowdhary, to everyone’s surprise, is Viren’s father?

Jenny K:  All this fake kidnapping stuff this year, this and Barfi!  What is it?  This year’s annual theme at the screenwriting college?

Julie M: Genelia D’Souza has the rubber face, cute mannerisms and mischievous grin made famous by Kajol and is the perfect bubbly girl. Riteish Deshmukh does an excellent “confused” face, which he deploys with regularity over the course of the first third of the film. Their couplehood is inevitable but it’s fun to watch it come together, and who could hate two such pretty people. Not one, not two, but THREE love songs that are mainstream and predictable fill the soundtrack, and there is a glitzy and obligatory-feeling item number with Veena Malik.

There are plot holes all over the place (for example, it’s never explained how she got her Canadian passport, and Chowdhary’s gang is too bumbling for it to make any sense how he got so wealthy; not to mention an absolutely inane turnabout in the last 15 minutes due to a pretty stupid “serious” speech by Chowdhary) but what do you expect from such an obvious vehicle for these two stars. Om Puri’s talent is wasted in his role, which I hate to see.

All in all, not a terrible way to pass the time if you happen to come across it, but it doesn’t break any new ground and you may find yourself checking your watch somewhere in the middle of the second half. Cute date movie if you’re 17, and for us oldsters, Riteish takes his shirt off which is always fun. I give it about a third of a thumbs-up. There is a completely illegal DVD rip on Daily Motion, with Part I, here.

P.S.  I thought the Sunny character seemed familiar…according to what I read, Punjabi actor Kartar Cheema (making his Bollywood debut in TNLHG) modeled his character on the Kajol character’s spoiled and mean fiance in DDLJ. Except in this one he’s not mean, just lazy and not very bright.

Jenny K:  They could do worse than copying DDLJ, except that stupid item number with the fat opera singer in “Paris”…shudder

The first of my string of movie outings was for the long-awaited comeback film for Sridevi, English Vinglish (2012). Kathy, Pat and I hit the local cinema to catch it the first week. Well, all I can say is, what a great way to come back! I can’t believe it’s been over ten years since her last major film! She’s 49 this year, but is still so lovely. Raising a family seems to agree with her. Here’s the trailer.

It’s a bit of a one joke plot with Sridevi cast as Shashi, the long suffering Indian wife, who, through one thing and another (life, mostly), hasn’t pursued her knowledge of English past the rudimentary stages in school, and her family taunts her with it almost daily. A joke, as they see it, quite hilarious, but she becomes more and more depressed that even her husband and kids don’t give her the respect she deserves.

Shashi’s trepidation becomes greater when she has to go to New York City for her niece’s wedding, reuniting with her older sister who is raising her daughters in America all on her own after her husband’s death. Shashi’s in NYC with three weeks to kill before the wedding and decides that enough is enough…she’s going to take a crash English course and surprise everyone. The scenes in the classroom, filled with a multi-culti mix of misfits is not particularly subtle, or believeable from an educational aspect, but the camaraderie and charm of the characters learning together and from each other is rather nice. You can see some of it in the “making of” clip, here.

Julie M:  Did you see Educating Rita?  Sounds somewhat like that one.

 

Jenny K:  Same genre, of course.  I loved Educating Rita, especially as it introduced me to Julie Walters.  But this plot wasn’t about falling in love with her teacher…in this film, an impossibility, as the teacher here was the worst performed role in the film.  And her education doesn’t break up her marriage as in ER, it strengthens it, in a traditionally happy ending at the wedding in NYC with her family.  

Well, happy for everyone except her fellow student, Laurent, from France, who has developed quite a serious crush on Shashi. Poor boy. I’d love to comfort him, myself, if I were given half a chance. He’s played by an actor named Mehdi Nebbou…half Algerian, half German, but all adorable. Definitely a thumbs up film, see it if you can.

AND, I went off tonight on the spur of the moment jaunt with Pat after work to catch Life of Pi (2012).  Not to tempt you out of your vow of complete home video supremacy, Jule, but Irrfan Khan has a much larger part in it as the Adult Pi, lots more face time for him than I’d expected…and what a face, sigh….Pat and I debated (but not for long) about the extra expenditure for 3D.  Worth it!  No, not just for Irrfan-gazing at seeming-finger-tip-reach, though that may have been enough, I grant you, but with tigers menacing, zebras charging, whales leaping overhead and flying fish flinging themselves at our hero willy-nilly, it was well worth the extra few dollars for the heavenly view on a big screen.  Not officially an Indian film, but with all the scenes set there, and some very fine Indian actors (Tabu! and Ang Lee’s new find, Suraj Sharma, as Young Pi does a phenomenal job in his debut role), I thought that it is a necessary mention here.  And a trailer.  

[youtube-http://www.youtube.com/watch?v=m7WBfntqUoA]
 

In a day or two, we’ll be back with two more of our recent viewings, Luv Shuv Tey Chicken Khurana, and Shah Rukh’s Jab Tak Hai Jaan, so, stay tuned, we’ll be back!

February 13, 2012: The Warmth of Midwinter Flames

The bleakest part of winter comes after the joy-filled holidays, and all you want to do is hibernate, curled up with a warm cup of chai, a bowl of popcorn and your favorite cinema guys.  Julie and I did just that recently, in front of our own separate hearths to stoke the fires with some of our favorite Old Flames.

 

Jenny K:  My viewing last night was Aladin (2009).  I decided I had to watch it after finding that delicious BigB rap clip I put in the earlier post after LittleB’s rap in Dum Maaro Dum.  I am glad I decided to rent it from Amazon rather than buy it on DVD (though the price was fine). I didn’t like it enough to own it, but it does continue my desire to see all of the later Amitabh Bachchan performances that I can get my hands on.  I do like his old films, but I think it’s something about the gray hair, and the extra-milage twinkle in his eyes, that has given him bonus appeal for me.

The best thing about Aladin was that it provided a really larger than life part for Amitabh, something he could really sink his teeth and sense of humor into. I love him in his comedies even better than his dramas. This wasn’t quite as good as Bunty Aur Babli  for him, but a real lot of fun. He stars as a “real life” genie named Genius (such a stretch by the screenwriters!) who emerges from the lamp rubbed by our hero, Aladin Chatterjee, played with a shy, wistful appeal by Ritesh Deshmukh.

 

Julie M:  I need to see more of Ritesh.  The only thing I’ve seen him in was Bluffmaster! and I really liked him there.  Too bad he mostly stars in silly comedies like Double Dhamaal, the likes of which I don’t even watch in English.

  

Jenny K:  Aladin is fully aware of the incongruity of his name. He could hardly not be, as he is daily chased and tormented by a group of bullies at school, led by Kasim (Sahil Khan, who resembles a musclebound Rob Lowe in his St. Elmo’s Fire days…which could have soured me on him right there, but it didn’t).  These tormentors insist on Aladin rubbing every lamp they throw at him to find “the magic”. Aladin’s parents died on a hunt for that very lamp, because they believed in the magic, too, and baby Aladin was raised by his grandfather. Now, grown up, he doesn’t want magic, all he wants is to fly under the radar and be allowed to live in peace…until the new, beautiful exchange student comes to his school, Jasmine, played by beauty queen du jour, Jaqueline Fernandes.

She’s lovely, sweet, and not a bad ingenue. And everyone is in love with the new girl from America, including Aladin’s arch enemy, Kasim. Now, Aladin definitely needs help winning her heart, and one of those lamps finally produces it. BigB emerges magically and immediately gets the party started at the school mixer.

Julie M:  Kind of reminds me of the school dance scene in Main Hoon Na; still one of the best Grease rip-off scenes ever.   

 

Jenny K:  Well, the rest of the movie involves various schemes to make this romance come out true. Amitabh hams it up, delightfully, all over the place, changing clothes as much as any good Bollywood Item Boy, trying to get Aladin to use his three wishes so he can retire from his genie occupation, for good. He steals the show. Here’s that rap number again. I love the wig. Long hair looks great on him, though it’s a little too banana-curly in the back in one or two shots.

 

Julie M:  Here’s where we part ways.  I really don’t like him in long hair.  I think it makes him look like a crazy person.  Case in point:  Jhoom Barabar Jhoom…OK, he’s actually pretty cool as a character that keeps popping up to wink at the action, but he LOOKS crazy.

Jenny K:   I must just like his “crazy” then…the only reason I bought JBJ was for that particular look on Amitji.  Too each her own, I suppose.

The main negative for this film is in the completely unnecessary subplot of The Ringmaster, an evil, all-for-himself ex-genie, trying to find the lamp so that he can end his earthly exile and become a genie once again…it’s all tied together with the reappearance of comet that is due to fly right over Aladin’s town (during the annual Student Ball, of course). Sanjay Dutt plays this villain with way-over-the-top gusto and the wardrobe of Johnny Depp’s Mad Hatter on steroids.

The CGI fight to the death of the genii is a snorefest in the extreme…sort of like the way the sword-fighting CGI scene at the end of the Tim Burton/Depp Alice in Wonderland hit me, too…

I really could have done without. Amitabh’s charm alone could have done it for me, and does, so I’d give it three cups of chai out of five, for a warm-up factor, on that alone. Here’s the Cyrano-esque wooing scene to leave us with (Aladin temporarily has no voice because he’s been karate-chopped in the throat, and has to use his best playback synch skills).

Julie M:  Ha!  Freeze that video at 0:49 and he becomes Long-Haired Crazy Person again.  But I like that he’s often cast in non-Dad roles now where he can have some fun.  Maybe he’s making up for all that “angry young man” work earlier in his career, where he didn’t get to smile much, even in fun roles like Amar Akbar Anthony.  And how much are you looking forward to seeing him in The Great Gatsby later this year, even in what is little more than a walk-on?  And I need to see Zanjeer.   They really don’t make them like him anymore. 

[a few days later]

Julie M:  Had to get an Akshay Kumar fix, so I got 8 x 10 Tasveer (8 x 10 Photograph, 2009) from the library. If you haven’t seen it, it’s available free on YouTube   or here

Jenny K:  Though he’s not one of my favorites, I give Akshay much more credit when he’s in dramas rather than his action or comedy roles. Except for Waqt. Never going to like that one.

Julie M:  It’s a good-enough (but not superb) psychological thriller in the mainstream European/American film style. Akshay stars as Jai, a mild-mannered park ranger—or environmental monitor, it’s difficult to tell—in Canada with the semi-secret, supernatural ability to stare at a photo, go into a trance and see the scene from the photo subject’s eyes (yeah, I thought that was pretty ridiculous too, but you kind of have to accept this premise or else the whole movie will fall apart). When his estranged father (Benjamin Gilani) dies of an “accident,” Jai is convinced it is murder and uses his abilities to track down the killer.

He finds no dearth of suspects, possibly including his own mother (Sharmila Tagore), and his life is endangered on more than one occasion. There is a huge and highly satisfying twist about 3/4 of the way through, and the final 30-45 minutes are edge-of-your seat action and suspense–which sort of made the first 30 minutes or so worth it. A very bad rap song over the end credits made me think Akshay and Abhishek have some sort of competition going.

If you’ve not seen it I won’t spoil the twist for you.

Sharmila’s talent was pretty much wasted in this film except for one scene, but it was nice to see her acting again. Jaaved Jaffrey has a supporting role as the dead father’s former protege, a disgraced police officer with “Monk”-like OCD qualities, who helps Jai in his quest for the truth. As usual, Jaaved’s voice is marvelous but I found myself continually distracted by a bad redhead dye job and the worst haircut ever. Ayesha Takia plays Jai’s doe-eyed and adoring girlfriend.

And also as usual I was mesmerized by Akshay. Those looks! That smile! The stunts! He deserved a better script than the writer gave him, but he made the best of it, and as I said, the last part of the movie made everything before it worthwhile.

 

Jenny K:  I would be more moved to see this film if it didn’t seem to have Akshay playing Faye Dunaway in The Eyes of Laura Mars. 1978 isn’t so far away that us old folks don’t remember. It was a plot with Faye being a fashion photog who may be seeing the brutal work of a serial killer through his eyes, both at night, in her dreams, and while awake. It even begins to influence her work.  Just changing him to a park ranger doesn’t change the basic premise, does it?  Akshay does have a killer smile, though…I grant him that.

 

Julie M:  I sort-of remember Laura Mars and it’s nothing like it, although I grant you that there is a similar conceit. He sees through the eyes of photo subjects, whoever they are, and whatever they’ve done. Most of the time it’s benign. The fact that he uses a photo snapped right before his father’s accident to view the incident from the perspectives of each of the people in the photo (all of whom he suspects) is just his way of using his gift to figure out what happened. And the twist is the key. (No, it’s not Akshay who is the killer. It’s not Secret Window–oops, I’ve just spoiled that one for those pitiful few who couldn’t figure it out in the first five minutes…)

Coincidentally, B and I had just watched the very bad 1991/2 film Sketch Artist, where a police sketch artist takes a murder witness’s description and realizes he’s just drawn a portrait of his wife. He spends the rest of the film trying to figure out if his wife really is a killer or if he’s just obsessed with their ebbing relationship. Another psychological thriller, but one so cheesy and dumb so we were in the mood for a good one to take the bad taste away.  B watched 8 x 10 with me and thought it was decent. Not stellar (it wasn’t), but it worked.

 

Jenny K:  Now, I must say, you may have warmed up my interest in that one…February chills aren’t over yet, and one can always use new flames to go with those older ones!

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