Nov. 27, 2012: Thanksgiving for the Parade of New Films – Part I

Since the Navratri/Diwali/Thanksgiving/Christmas rush of holidays is in full swing, we’ve thought it justified more trips to the theater, or at least a push to see more recent releases. Bollywood seems to be shaking itself out of some of its old stale tropes and harking back, nostalgically to some of the things we’ve missed.  Very appropriate for a post-Thanksgiving post, I’d think.  In fact, we’ve gotten so much watching done, that we’ll have to split these new film reviews into two parts, and leave Julie’s older, classic film voyaging for another post. 

Julie M:  Tere Naal Love Ho Gaya (I Fell in Love With You, 2012), which I watched on DVD, was cute, somewhat. It’s not the type of film I would see if it were an American production, because it’s rather predictable, but there were some moments, mainly having to do with those funloving Punjabis.

Mini (Genelia D’Souza) is an educated and spirited girl stuck in a small Punjabi village, where her father Bhatti (Tinnu Anand) has gotten moderately wealthy running an autorickshaw business. She has also, somehow, gotten a Canadian passport, and between the wealth and the green card she is a very eligible young lady indeed. Bhatti wants her to marry the spoiled and lazy, but quite handsome, Sunny (Kartar Cheema), the son of a somewhat wealthier neighbor; however, Mini wants to have a bit of adventure before she settles down. She reluctantly agrees to the marriage to please her father but is all the while trying to hatch an escape plan.

Enter Viren (Riteish Deshmukh), one of Bhatti’s drivers and a hardworking young man whom Bhatti has just cheated out of both his dreams and his life savings. In a drunken fit, Viren crashes Mini and Sunny’s engagement party to give Bhatti a piece of his mind.  In the commotion Mini sees her chance:  she forces Viren to “kidnap” her, then phones Bhatti with a “ransom” demand, telling Viren that he can keep a share of the proceeds as repayment for what her father cheated him out of while she uses the rest of the money to escape.

Jenny K:  Sounds familiar but promising…I’ve liked Riteish more and more, especially since seeing him hold his own with Amitabh in Aladin a few years back.  And Genelia was very cute (almost too cute) in Jaane Tu…Ya Jaane Na with Imraan.  And, I heard that Riteish and Genelia got married back in February….Perfect type-casting for a cute romance.

Julie M: I’m not sure whether the film release pre-dated or succeeded the wedding, but they’d been together for a very long time before they made the film, which makes the romance film something of a vehicle for both of them. 

Anyway, Viren, bowled over by her audacity, agrees and they find a vacant house to hide out in for a few days while Bhatti gathers the funds. Of course they start to fall in love while having adventures like crashing a wedding, scrounging for cash and going through the obligatory “who sleeps where” tamasha in their purloined residence. The wedding-crash scene was  predictable but still fun.

On the day of the ransom payment they go to the rendezvous point and…both of them get kidnapped for real! by the notorious kidnapper Chowdhary (Om Puri), who proceeds to demand additional ransom from Bhatti.

Is this enough adventure for Mini or has it gone too far? What will she, and everyone else, do when she finds out that Chowdhary, to everyone’s surprise, is Viren’s father?

Jenny K:  All this fake kidnapping stuff this year, this and Barfi!  What is it?  This year’s annual theme at the screenwriting college?

Julie M: Genelia D’Souza has the rubber face, cute mannerisms and mischievous grin made famous by Kajol and is the perfect bubbly girl. Riteish Deshmukh does an excellent “confused” face, which he deploys with regularity over the course of the first third of the film. Their couplehood is inevitable but it’s fun to watch it come together, and who could hate two such pretty people. Not one, not two, but THREE love songs that are mainstream and predictable fill the soundtrack, and there is a glitzy and obligatory-feeling item number with Veena Malik.

There are plot holes all over the place (for example, it’s never explained how she got her Canadian passport, and Chowdhary’s gang is too bumbling for it to make any sense how he got so wealthy; not to mention an absolutely inane turnabout in the last 15 minutes due to a pretty stupid “serious” speech by Chowdhary) but what do you expect from such an obvious vehicle for these two stars. Om Puri’s talent is wasted in his role, which I hate to see.

All in all, not a terrible way to pass the time if you happen to come across it, but it doesn’t break any new ground and you may find yourself checking your watch somewhere in the middle of the second half. Cute date movie if you’re 17, and for us oldsters, Riteish takes his shirt off which is always fun. I give it about a third of a thumbs-up. There is a completely illegal DVD rip on Daily Motion, with Part I, here.

P.S.  I thought the Sunny character seemed familiar…according to what I read, Punjabi actor Kartar Cheema (making his Bollywood debut in TNLHG) modeled his character on the Kajol character’s spoiled and mean fiance in DDLJ. Except in this one he’s not mean, just lazy and not very bright.

Jenny K:  They could do worse than copying DDLJ, except that stupid item number with the fat opera singer in “Paris”…shudder

The first of my string of movie outings was for the long-awaited comeback film for Sridevi, English Vinglish (2012). Kathy, Pat and I hit the local cinema to catch it the first week. Well, all I can say is, what a great way to come back! I can’t believe it’s been over ten years since her last major film! She’s 49 this year, but is still so lovely. Raising a family seems to agree with her. Here’s the trailer.

It’s a bit of a one joke plot with Sridevi cast as Shashi, the long suffering Indian wife, who, through one thing and another (life, mostly), hasn’t pursued her knowledge of English past the rudimentary stages in school, and her family taunts her with it almost daily. A joke, as they see it, quite hilarious, but she becomes more and more depressed that even her husband and kids don’t give her the respect she deserves.

Shashi’s trepidation becomes greater when she has to go to New York City for her niece’s wedding, reuniting with her older sister who is raising her daughters in America all on her own after her husband’s death. Shashi’s in NYC with three weeks to kill before the wedding and decides that enough is enough…she’s going to take a crash English course and surprise everyone. The scenes in the classroom, filled with a multi-culti mix of misfits is not particularly subtle, or believeable from an educational aspect, but the camaraderie and charm of the characters learning together and from each other is rather nice. You can see some of it in the “making of” clip, here.

Julie M:  Did you see Educating Rita?  Sounds somewhat like that one.

 

Jenny K:  Same genre, of course.  I loved Educating Rita, especially as it introduced me to Julie Walters.  But this plot wasn’t about falling in love with her teacher…in this film, an impossibility, as the teacher here was the worst performed role in the film.  And her education doesn’t break up her marriage as in ER, it strengthens it, in a traditionally happy ending at the wedding in NYC with her family.  

Well, happy for everyone except her fellow student, Laurent, from France, who has developed quite a serious crush on Shashi. Poor boy. I’d love to comfort him, myself, if I were given half a chance. He’s played by an actor named Mehdi Nebbou…half Algerian, half German, but all adorable. Definitely a thumbs up film, see it if you can.

AND, I went off tonight on the spur of the moment jaunt with Pat after work to catch Life of Pi (2012).  Not to tempt you out of your vow of complete home video supremacy, Jule, but Irrfan Khan has a much larger part in it as the Adult Pi, lots more face time for him than I’d expected…and what a face, sigh….Pat and I debated (but not for long) about the extra expenditure for 3D.  Worth it!  No, not just for Irrfan-gazing at seeming-finger-tip-reach, though that may have been enough, I grant you, but with tigers menacing, zebras charging, whales leaping overhead and flying fish flinging themselves at our hero willy-nilly, it was well worth the extra few dollars for the heavenly view on a big screen.  Not officially an Indian film, but with all the scenes set there, and some very fine Indian actors (Tabu! and Ang Lee’s new find, Suraj Sharma, as Young Pi does a phenomenal job in his debut role), I thought that it is a necessary mention here.  And a trailer.  

[youtube-http://www.youtube.com/watch?v=m7WBfntqUoA]
 

In a day or two, we’ll be back with two more of our recent viewings, Luv Shuv Tey Chicken Khurana, and Shah Rukh’s Jab Tak Hai Jaan, so, stay tuned, we’ll be back!

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2 Comments

  1. Finally saw this last night. Charming, sweet (but not cloyingly so) film. I had not seen a film with Sridevi in her heyday, but she totally killed it in this. What a face…those eyes, so big and expressive…and I could believe that she was once a village belle snapped up by Mr. Empathy Satish to make himself feel bigger and better. The English class, I felt, was a bit too pat in its composition and I hated the teacher (in fact, the class bits I felt were the weakest elements and the camaraderie forced for the movie), but the yummy French guy…whew. All in all a wonderful digression on the meaning of respect and the drive for self-improvement.

    Not necessarily a must-see unless you are a huge Sridevi fan, but one to stay alert for, put on your Netflix queue, or stream if you have a couple of free hours. Even B didn’t mind it. (Jab Tak Hai Jaan, on the other hand, was the source of much chuckling and eye-rolling on his part)

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