We just can’t escape action films, even though it was the HOLIDAYS, for gosh sake… and everywhere we turn, people are shooting at us or each other (some in IMAX and 3D)! So, rather than fight ’em, we decided we might as well join Messers Cruise, Craig and Downey and give in. But Bollywood has it’s own take on hair-raising, guy-friendly escapism and we watched a bunch of them over our break, including Don 2. Here’s our take on three, or toke, given the title of the first one!
Julie M: Dum Maaro Dum (Puff, Take a Puff, 2011) is a violence-infused action/thriller about the attempts of one man to single-handedly clean up the contemporary drugs-and-gangsters scene in Goa. This trailer pretty much shows the visuals and style of the film.
The title/item song is a remake of this number from 1971’s Hare Ram Hare Krishna.
Jenny K: It was funny…when I watched your trailer, I thought of the Hare Ram, Hare Krishna movie, but I didn’t recall at that time that that was the name of the song. It was one of Dev Anand’s first films as a director, and Zeenat Aman’s first big hit. I believe it caused a big to-do with all the drug takin’and the implied free lovin’.
Julie M: Abhishek Bachchan plays the one-man, ACP Vishnu Kamath, an ex-corrupt-cop with a new mission to set things right because his family (Vidya Balan, in a cameo appearance, plays his wife) was killed in a car crash with a drugged-out driver.
Vishnu chases various figures including a small-time player named Ricky (Gulshan Devaia), a reluctant “businessman” named Lorry (Prateik Babbar), an elusive capo-dei-tutti-capi named Michael Barbossa (hey, wasn’t he a pirate?) and, with perhaps the funniest criminal name in Indian film, Lorsa “The Biscuit” Biscuita (played by Aditya Pancholi). There are the requisite scantily-clad females as well: Bipasha Basu plays Zoe, Biscuit’s second-in-command and girlfriend, there is a pass-around chickie named Rozana (Mariah Pucu Gantois Gomes), and Deepika Padukone steps in to gyrate as the item girl in the title song, which takes place at a rave about two thirds of the way through the film.
Jenny K: I still think Zeenat Aman was much sexier than Deepika, even given how overtly sensual DP’s choreography was. Just my old-fashioned opinion.
Julie M: Similar to Yuva, the main action starts with Lorry getting busted for carrying drugs at the Goa airport and then splits off into flashbacks showing how each of the characters got to that point, then picks back up and moves forward through to the end. It would have been interesting as a technique, except Yuva did it first, and DMD added some very headache-inducing half-time and double-time sequences as well as half-screen double-images (yikes) to heighten the sense that it was in the characters’ memories. Supposed to be hip and cool, but seemed overly self-conscious to me.
There is one character common to all the stories: the singer Joki, yummily played by Rana Daggubati, check him out in this song. He’s kind of like a visual narrator since he is the only one who seems to appear in all the various story threads, and he gets to have a hot love scene with Bipasha (thereby standing in for all the males in the audience…).
Things really get going after the drug bust, as Kamath and his team work into the organization and go after Barbossa. Lots of people die, some spectacularly, some gruesomely. And while the end is a perfect revenge fantasy, you get the feeling that it is only a temporary lull in the permanent party-and-kill scene. No wonder this film aroused the ire of the Goa tourism people. [youtube-http://movies.ndtv.com/movie_Story.aspx?id=ENTEN20110173562&keyword=&subcatg=]
Abhi does OK in his role, a little wooden though, and as the film started I thought to myself, “Gee, I hope he doesn’t rap in this movie.” Alas, he does, talking about how good it is to be a corrupt cop (ugh). This video intersperses scenes from the movie with scenes of the song, because nobody should see the rap video in its entirety.
Jenny K: His dad still does it better, of course, example from Aladin. Sorry, Abhi…
Julie M: Overall, Dum Maaro Dum is a stylishly made, but ultimately not very interesting, gangster movie that caters to the under-30 set (although if that’s true, why Abhi was chosen as the star completely defeats me). I thought it was merely OK.
[a day or two later]
Jenny K: Well, I finally got to see Don 2 today…and I’m not sure that you should see it. You always complain when there is too much dishoom, and this film is dishoom to the max.
This is the sequel to Farhan Akhtar’s popular remake Don (2006) [Amitabh starred in the original] in which Shah Rukh Khan essays the double roles of the South Asian Kingpin of Crime, the titular Don, and his simple but sincere doppleganger Vijay. In this follow-up film, I am really missing Vijay, because there’s no simple or sincere focus in the entire movie, and I, for one, had no one to root for.
Julie M: True, I sincerely dislike pointless and gratuitous dishoom…although our holiday entertainment has been a complete re-watch of the four Die Hard movies, which I love. Maybe it’s just Bruce Willis. But I liked the Vijay character, particularly in the original 1978 Don, and if this film has gone another direction then I question the wisdom of even going. And my common complaint about most Indian action films is that so few of the stars can dish out a punch without my wanting to laugh hysterically at its awkwardness.
Jenny K: I will agree with Kathy, my co-viewer that day, that the fight choreography looks much more convincingly done, even making it seem plausible when the often physically smaller SRK gets the drop on his larger combatants, however, it is pretty much relentless. I’m hoping Shah Rukh has finally exorcised his Jackie Chan fantasy, and can get it out of his system.
The thumbnail synopsis has Don being singled out by the European drug tsars for a hit, because he’s so dangerous to their business…so Don develops a very convoluted plan to turn himself in to protect himself from their reach and secure himself with immunity for his past crimes by providing the authorities with names, dates, etc. in their quest for these other drug dealers. Seems he’s “tired of his life of crime”…oddly, the powers that be (returning in their roles as the police investigators, Om Puri and Priyanka Chopra) don’t really buy it and toss him in prison.
Ah, but that’s all part of the plan…Don always has a plan…far-fetched or not…and always assayed with consummate style. SRK is at the top of his game in style, slickness, suavity and any other S-ettes you can think of, but I find I’m hard pressed to be engrossed in a caper film of almost three hours long, when the “hero” is so enormously ethically challenged. He’s ruthless, he’s a player with girls and lives, a major egomaniac, and he has the largest custom fitted designer wardrobe ever sported by a recently released jailbird.
Julie M: Since I’m still recovering from a cold, and it’s snowing like crazy, and I’m back to work tomorrow, and this seems like a typical Hollywood-style action crap-fest, I will skip an attempt to see Don 2 in the theater today. If it’s still around over the weekend I’ll consider it, but if I don’t get there, I’ll just wait until it’s out on DVD. I’ll get my SRK fix another way.
Jenny K: Definitely not a “crap-fest” but… He’s The King, as everyone in and out of the film constantly tells us. And HE’s BACK! And THE CHASE CONTINUES…and continues…and continues…as I dozed…once…in the seemingly endless set up to the caper in the bank. Which wasn’t too bad, given the sheer lack of sleep I’ve had for the past two weeks of holiday run-up. Needless to say, Kathy disagrees with me on almost every point of this assessment. She loved it. Eh, it may just not be my type of film.
However, the most fun I had with Don 2 was watching this promo reworking one of the songs from the earlier film to get us into the theater for the new “adventure”. Shah Rukh looks amazing in it, and looks like he’s having a great time…and is a bit tongue-in-cheek in his swaggering here, which is something the movie as a whole could have used more of, as does Robert Downey, Jr. in almost any of his genre films.
Julie M: WOW. So ishtylish. If the whole movie were like that I’d go, but since you say it isn’t, I’ll wait for the DVD and I can fast-forward through the dishoomiest parts. SRK looks kinda gaunt underneath the perfectly-fitted leather jacket, though. If he looks that skeletal in the entire film, ugh. Get that man some parathas, stat.
Jenny K: If you fast forward through all the dishoom in Don 2, you ‘ll have about 22 minutes left…hehehe… and as to his look, almost all the outfits were stylin’. Lots of leather. And no odd tie/shirt combos like in the last Don film. Priyanka and Boman looked very well groomed, too.
All my style issues were with Shah Rukh’s hair. In about two thirds of the movie, I think he looked pretty good, even with occasional “leftover Ra.One hair moments”, Kathy’s phrase. The long hair phase was about twenty minutes or so, and was too girly for him, especially pulled back at the top (even with the shotgun)…however, I liked the facial hair that went with it, and thought he should have kept it for a transitional phase, but he didn’t. At the end, he rides off on a motorcycle with his Ra.One “South Indian” curly locks blowing in the breeze. Very fetching. End of SRK Hairscaping. Glad you liked the video clip…I had to watch it more than once, myself.
Julie M: And did you notice that in all the Don 2 publicity shots, Farhan’s muscles have gotten way out of control?
Jenny K: Haven’t seen any of them…show me what you meant. Would be a shame if he wasted that sexy boy-next door thing he has going.
Jenny K: Hmmm. Here’s the older article about Mehra’s casting ideas on this film. Farhan’s pushing it a bit playing 22, and he’s much better looking than Milkha Singh, but, if they’ve decided to not go with an unknown…Farhan is better than most, but I think I might go with that kid from Udaan first, Rajat Barmecha. He’d be almost the right age now and had quite a lot of potential in that film.
Julie M: Whoops, so much for an unknown. Oh, well, something else to watch Farhan in. By the way, you need to send me Rock On! and Karthik Calling Karthik. Because I just did my first official Indian film re-watch, of ZNMD, and I need more Farhan, and I know you can hook me up.
Jenny K: Now, I don’t buy everything he’s in…almost, but not everything. I can send you Rock On! but I don’t think I bought KCK. It was good, but spoiled itself a bit with an added-on, unnecessary happy ending, IMO.
[a couple of days on]
Julie M: While lying around today trying not to be sick, I watched Kachche Dhaage (Raw Threads, 1999). I thought it was a decent action movie with a gratuitous couple of love stories, without which it could have been a great action movie. Check out this “making of” feature, which does not spoil the film but serves as a good trailer.
Aftab (Ajay Devgan) is a minor criminal in a Rajasthan village, engaging for his living in a bit of cross-border smuggling of goods, occasionally including arms, from India to Pakistan. He is trying to marry Rukhsana (Manisha Koirala), whose parents won’t agree because he is illegitimate. Dhananjay (Saif Ali Khan) is a citified yuppie, a broker of financial deals with a contemporary lifestyle and a knockout wife, Ragini (Namrata Shirodkar). The two find out that they are half-brothers over their father’s deathbed and instantly hate each other, exacerbated by the fact that one is Moslem and the other is Hindu.
When a circumstance forces Aftab to call on Dhananjay for a favor, it sets off a series of events involving the both of them escaping from arrest while chained together, corrupt border enforcement officers, a clueless attorney, a runaway train and lots and lots of shooting of various weapons. While on the run together the two of them learn to rely on each other for their lives, and by the end they have forged a true brotherly bond as they collaborate to bring the bad guys to justice.
I am a big fan of good action films and buddy comedies. This is a buddy action film that hinges on the audience believing in the growing relationship between the two heroes, which only truly comes into play in the last quarter of the film. Ajay is suitably glowering as the resentful Aftab and Saif is a proper angrezi [English/Westernized] figure, which means his effete mannerisms are laughable and his wardrobe completely inappropriate. The roles were not particularly challenging for them, and they pulled them off competently.
The love stories are completely irrelevant to the film and to my mind could have been ignored without affecting the storyline. Some other device could have been introduced to reinforce Aftab’s illegitimate status, and another kind of deus ex machina introduced to effect their escape from the runaway train–it didn’t have to be Ragini driving up in a jeep. But it does lead to this amazing stunt sequence, done entirely by Ajay.
Jenny K: Of course Ajay’s stunt scene would be good. His father is a stunt man and Ajay got his start by doing crazy far-out stunts. Someone has collected some clips of his best “entrances” on Youtube.
Julie M: The love songs were merely OK, nothing special. The big dance numbers were 100% gratuitous, although fun, particularly this item number, which occurs at the point where the two escapees have lodged for the night at a small village. Despite its flaws the movie is a lot of fun and a good one to see on DVD.
Jenny K: I haven’t seen it in a while, but most of your remarks had me going “yeah, I thought so, too”. I did like their eventual chemistry together, and watching it grow. It sort of felt to me a bit like a lesser version of Robert DeNiro and Charles Grodin’s chemistry as they trekked across country, handcuffed together in Midnight Run (1988).
Julie M: I had forgotten about Midnight Run: I’ll have to watch it again. It was probably deliberate on the filmmakers’ part, the allusion to the earlier film, with the typical Indian twist that they are not just opposite character types, but also half-brothers. Here are some cute clips.
[Editor’s Note: Lots of use of the “F” word…very New Yawk. Be warned.]
Jenny K: I don’t think it’s close enough to be a copy, what with the bail jumper/bondsman pairing that it is. It’s at best an homage thing…I just thought the feeling was similar. MR still has the best helicopter stunt ever done, in my opinion, when DeNiro’s character shoots the rotor out of the pursuing copter’s tail and so it spirals out of control and into the hillside, exploding. First believable use of handgun vs. big flying object I’ve ever seen in the movies. Stuck with me ever since…gives all those action directors (from both countries) something to shoot for, literally!