Part 6: A Whole Lot of Roshan Goin’ On

Julie M:  Saw Swades [Note: pronounced Swa-desh, from the Sanskrit for “one’s own country.“] this evening. Reminded me of those indie movies of the 1980s where a stuffy Englishman falls in love with a Scottish village, who adopts him. B watched it with me and he actually stayed through most of it.  Next up: Kites, then the historical romance Jodhaa Akhbar.

 

Jenny K:  Okay, stock up on the caffeine for Jodhaa Akhbar….I fell asleep about twenty minutes in, during a battle scene with elephants, no less. Yes, Hrithik looks fetching, but I don’t think the director, Ashotosh Gowariker, who did Swades, knows how to pace an actual armies in your face action film.  He’s wonderful at heartfelt, earnest stories though.  I usually like his films.

 

Julie M:  Duly noted.  Kites was OK. Lots of good shots of Hrithik with shirt off, totally buff, but not enough dancing. REALLY not enough dancing.

 

Jenny K: Exactly what I thought when I saw it. very astute, my novice 🙂 I also didn’t really like his beard. And when, may I ask, did he wear this ensemble in the film, which came up when I did a search for the movie on Google…

 

Julie M:  That is so funny!!! I also thought it was hilarious that he was in Las Vegas, an Indian, and everyone he interacted with was Indian or spoke fluent Hindi. That’s some weird alternative Vegas.

 

Jenny K: Yeah, and when in Georgia or Alabama or wherever in the apocryphal deep south Mama Jenny was supposed to be living, everyone knew and could sing along with the lyrics to that old Hindi Classic, “We Shall Overcome”! You just gotta get used to it…

 

Julie M: So more this weekend…we adopted kittens and I was hanging around the house watching them anyway…saw ALL (whew) of Jodhaa Akbar, plus Fanaa. Liked the first, loved the second.

Jodhaa Akbar was very long and the political intrigue stuff was not handled very well–way too drawn out for what it was–yet it was so beautiful that I excused all that. HR only used maybe 3 facial expressions (regal, bemused and nose-flaringly angry), and he didn’t dance, but I did get to see him move in the fight scenes and that was a treat. Aish was mainly decorative except for a couple of scenes where she played feisty…she’s done better. The screen chemistry from Dhoom 2 just wasn’t there, but it felt like an old-time Hollywood epic like Cleopatra.

Fanaa was great in all ways. Predictable at first, until it wasn’t, and then after the intermission it was like it turned into a different, and better, movie. Mark me down as a complete Kajol fan.

Jenny K:   She has that certain something, doesn’t she? Oddly, she doesn’t have the same screen chemistry with her husband, Ajay Devgan, that she does with SRK.  And it’s even better with Aamir in Fanaa. Aamir is much edgier, and therefore much sexier with her, in my opinion. Don’t get me wrong, I love Ajay (crazy dangerous eyes) but the only two movies I liked their chemistry in were Pyaar To Hona Hi Tha which is a direct copy of French Kiss.

Strange, the whole movie is on Youtube right now, in it’s entirety, in HD, but without subtitles. This is a clip of the tone of the film when the two of them visit Ajay’s family and village.  Sweet slapstick.

There’s a lot of that going on in Indian film, but aside from a really awful song and dance on the plane which I advise you to scurry through on fast forward…I like this French Kiss better than the original. Now how often can you say that?!?  In this case, the film benefits from a longer format,  where it can better explain why they fall in love than the Kline/Ryan film can in it’s hour and three quarter running time. The second film they “click” in is one Ajay directed called U Me Aur Hum, which isn’t really a comedy and she acts brilliantly, maybe better than he does, but he catches up in the second, sadder, half.

[a few days on]

Julie M: Is it worth seeing Salaam-e-Ishq? I get that it’s kind of like Love Actually, which was not a universal success with me. I liked a couple of the stories but by no means all.

 

Jenny K:   I did see it when it came out in the theaters about four years ago, mainly because of my yen for Akshaye Khanna cancelled out my general apathy toward Salman Khan. Oddly enough, I found that the only story that I truly enjoyed out of the six love stories that they told, centered on a lonely cabbie and his white girl passenger, starring Govinda, who I would have sworn on a stack of bibles couldn’t generate a non-over-the-top performance. I was wrong. He was completely sweet and endearing. All the other stories were sort of forgettable, even my boy Akshaye.  Never bothered to buy it. Don’t worry about it being a direct copy of Love Actually, just the format. I didn’t like the original much either..

[a few days later]

Julie M: Saw Krrish tonight. What a weird amalgam of genres! Was I watching a martial arts movie? A Bollywood romance? a family drama? I liked watching HR move (a LOT), but the story was kinda dumb and it was not a superhero movie in the sense we are familiar with. and WOW–resurrection story too. But I liked the callback to KMG at the end–sweet. Overall–eh. I hear there is a Krrish 2 in the works.

 

Jenny K: Yeah, there’s always a “2” now…especially with SRK doing his superhero movie now called Ra.One which is spelled like that because then it sounds like Raavan, a Hindu demigod of the negative variety. Not sure why he wants his hero to be a villain…and I’m not sure I like the CGI, which they are trying to develop now. I think his animated character has no real weight…sorta bouncy. I had that same problem with trailers for The Hulk. One of the reasons I wouldn’t see it.

As to the “weird amalgam”…that’s the nature of masala films, I’m afraid. Though I will grant that Krrish is a bit weirder a mix than most. The producers are aiming for as large an audience as they can get and so put in something for everyone so they get their paisa vasool, or their “money’s worth”. Going to a movie is sort of a holiday outing in India, you take the whole family from grannies to babies and everyone enjoys the AC and the film and wanders about for the whole three hours. After you get used to it, I find I miss that “film for all” element in the more modern western-style films. Too many semi-dressed babes, too much crime, no family stuff. And the new ones are just under two hours….pshaw! Not enough time to develop characters you care about!

 

Julie M:  Well, the American way is to get you interested in the characters and cut them off before you’ve gotten your fill, leaving the door open for a sequel or three. Gotta bring in the $.

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    Part 6: A Whole Lot of Roshan Goin’ On | Filmi-Goris


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