Part 12: The Curse of the Flowered Shirts, and Other Fashion Missteps

Julie M: I saw Company last night. I found it boring until maybe the last 45 minutes–I passed the time by staring at Viveik. Viveik and Ajay acted well (and as usual Ajay seemed to bring out Viveik’s acting abilities), but I didn’t find the story all that compelling. I don’t watch gangster movies in English, so I don’t know why I thought watching them in Hindi would make them more interesting. So please, no more gangster films unless they are funny (like Lago Rahe Munnabhai, and I will probably also borrow Munnabhai MBBS soon). But not goofy/slapstick funny, because I hate that too. I hate the goofy noises in farce-y Indian movies.

Jenny K: Not much to worry about with me sending lots of silly slapstick because I tend not to buy them. I only got the Munnabhai movies because I have a little crush on Arshad Warsi…he plays the sidekick Circuit in the film. He is a really good dancer and he used to choreograph, too, but since he became “comedy gold” they don’t tend to let him waste time tapping his toes.

I keep trying to buy one really bad movie, Mujhe Mere Biwi Se Bachaao, because Arshad is in it and his dance numbers in it are HIL-AR-EEE-OUS, and still fantastic dancing.

Here’s the first one from Youtube. Rekha put on about thirty pounds for the role of a bored rich housewife who hires a nightclub singer/dancer to get her “in shape” for a part in the movies. She’s making fun of every dance movie she’s ever done, including Umrao Jaan (and still dancing rings around girls half her age!), and he’s trying to pull out every SRK “sexy” dance move he can rip off. Very funny (somehow I think of Kirstie Alley and Maks from DWTS) Watch it again after you’ve seen UJ and it will be even funnier. 

And not quite as funny, (unless like me, he reminds you of Matt Drudge in that hat) this introduces Arshad’s character as an entertainer, and I like his moves.

But still, every time I buy a copy it seems to dissolve into a mass of pixels at about Track 15. Never seen the end of it. Seems to be a problem with the master back at Eros Entertainment. Really a bad film so I won’t waste more than ten dollars on it, if that…Or maybe, Naseeruddin Shah, who plays Rekha’s philanderin’ hubby, got a look at the final product, realized, no matter how hard he tried, he couldn’t save it, and couldn’t convince them to cut him out of it, so he snuck in and mucked up the master copy!  Yesss! Now, if only they had a plot that good!

Sorry, back to what you said earlier…Dhoom is a film that I haven’t seen because a) Hrithik isn’t in it and b) Hrithik isn’t in it and c) Esha Deol is a whiny annoying heroine (except in Yuva) and d) there’s way too much Uday Chopra (LittleB’s sidekick) for my taste without Hrithikness to deflect my attention from it. Or is that Hrithikosity?…Whatever.  Dhoom 3 may be another matter. Rumor is that Aamir is going to be the new villain that LittleB is chasing. Mmmmm….

And you may like Munnabhai MBBS better, because the movies are two years apart but Sanjay Dutt looks five or six years younger, and I find him much sexier in this one. You believe the love story more. He also has a nostalgia thing going because his father in this film is played by his real father Sunil Dutt who was a star in the seventies, I think. He died soon after they filmed this together. I wish I had known that you were up for a girl’s weekend when I put together your next package…ah well. You must make due. Only one fluffy one. Two more issue films for you. 

Julie M:  Thanks for the links. He’s a great dancer and the first one was funny.  So I gather that Rekha is known as being a bit of a looney tune? Explain!

Jenny K:   Rekha is very intense. In interviews she often speaks of herself in the third person, sorta like that annoying kid in Fanaa. “Rehan/Rehka doesn’t want to do that…” yeeeesh.. I also think she likes to tempt career suicide, because she takes some roles that just ache to have you compare them with her earlier roles.  And although she’s still quite beautiful, she doesn’t look quite the way she did in Umrao Jaan.

Julie M: Rangeela. Eh. I find it amazing that the film was done in 1995 and the hair, fashions and makeup make it look like, oh, 1984 or so. Aamir looked cute and young. But otherwise I found the film very boring. Saw most of it on double-speed. Rahman music good, though.

 

Jenny K:   Well, perhaps that’s why the director, the aforementioned Ram Gopal Varma, went on to direct almost solely crime dramas like Company. He agreed with you. Considering the films that Aamir had been forced to do while starting his career, this one almost was sweet. Very traditional plotline. I liked the songs and the dancing enough to put up with most of the silliness. And I get a kick out of how much Urmila’s bust size jumps around with her padding in the various numbers. She’s never been one of my favorites, but I find she gets proportionately more annoying and silly the longer her hair gets (and therefore the bigger the boobs, for some reason). Her hair controls her interpretations, I think.

Julie M:  I liked some of the dancing, but given her outfits I kept feeling like I was watching an aerobics video. (funny about the hair-boob correlation)

Jenny K: As I’ve said before, Indian films tend to be about ten to fifteen years behind the trends, at least fashion-wise, if not in overall style. Not quite so much nowadays, they do seem to be finding the global norm faster. Perhaps due to cultural saturation in film and the internet… everything is available, everywhere, instantly.

I have a theory about Urmila’s fashion in this film, though. I got the general impression of “youthfulness”, colorful, like the title [Rangeela means “Colorful One“], baby-doll length in the skirts, worn with leggings so you don’t see too much leg, lots of caps and ponytails, etc. It was kind of like they didn’t want to lose her audience from her child star days by changing her look to be too sexy, too quickly. Then, toward the end they allowed her to grow up a bit, maybe making the transition both for the actress and the audience. Just a thought.

Also, you just end up getting used to a more decorated sensibility in Indian fashion. Nothing simple, nothing plain. They just don’t groove to it at all. They love to play with their clothes, change them often, add fringe, add zippers, even ones that are totally non-functional. For some this works, for, some, well maybe not even Hrithik can’t make it work… 

Julie M: Saw Bluffmaster…very funny. Double- and triple-bluffs, especially when you consider the film itself is kind of a bluff. Very Hollywood-style.

[Jenny K’s Note: Bachchan Senior has the full one on Youtube, too!]

I’ve noticed that Indian fashions tend to be a bit, um, gaudier than we like them here. In film when it gets too out there I just put it down to an overactive costumer imagination, since I’ve seen it being pretty gaudy (lavender and yellow sari? Eeecccchhh) in real life too.

 

Jenny K:   The Bollywood Fashion Extremes: For Men, or                Your Costuming Rupees, at Work?!?

Military Fashion Through the Ages a la Conan
and this

Men in floral shirts…too floral

Men in headbands…any

SRK trying to make neckties cool in DON
 
or, perhaps aiming for a Brandoesque moment
 
Akshay should just skip the leather jackets (and the beard!)  and this, and also refrain from trying to play a “cool rockstar”

And men should not try to play sexy in a chef’s cap or a tiny yachting cap, or a pimp hat…this outfit on the cover of the DVD scared me from Khalnayak for years (I sort of liked it when I fianlly saw it)

Julie M: Hilarious!!! (I just finished HDDCS and Salman had some pretty heinous shirts in that one)

Hum Dil De Chuke Sanam–not so bad, actually. The big dance numbers were awesome, the costuming lovely (albeit unbelievable…in this day and age, who would believe such a wealthy yet super-traditional family?) and except for PAINFULLY drawing out the big reunion moment, the melodrama was fairly easy to handle. Ajay beats Salman hands down acting-wise in this one, although Salman was pretty cute in the first half (which he seemed to spend half of shirtless, you were right), and character-wise as well. Nandini chose the right guy, as I knew she would. And shame on them for trying to pass off some obvious Eastern European country as Italy…they didn’t even bother to disguise the local language or the writing on the taxicabs!

Jenny K:   It’s so sad when they develop a shirt allergy… they begin to fling them off, hither and yon, with almost no provocation. “I know you only asked me for directions to the puja, but I can explain better without this heavy t-shirt clouding my thinking.” It got even worse for Salman as he buffed up. Now he’s a tank in a flowered shirt. In HDDCS, he was still a bit youthful and winsome, however he was so manic, so often that I took to calling this mood “Monkey Boy” ooh-ooh-ahh-ahh-Ooh-Ooh-AHH-AHH-EEEK-EEEK-EEEK!!! “Yes I am from Italy, and I can prove it. Hand me that banana and I’ll eat it while hanging from the rafters and singing O Sole Mio!…With my shirt off, of course!”

So I sat on the Mall in DC for July 4th, with my Indian movie buddies, Pat and Kathy, Kathy’s husband, Mark, and one of Kathy’s friends from work, Reena, who hails from Mumbai, and as we waited for the fireworks, Reena and I passed the time by singing the following song sung. “Aati Kya Khandala”, was sung by Aamir (his own voice this time) in the (otherwise dark and moody) film Ghulam. It had been a big hit and BigB, Jaya and Kajol sang it in K3G at his party. Well, Reena sang it much better than I did, I’d forgotten most of the words that I’d tried to memorize.

And for added American Holiday Silliness, this video features Akshaye Khanna and Aish.  They have been trying to make it in the Big Apple, almost like brother and sister, and suddenly Aish has decided that if she doesn’t convince him of her devotion to him, he’s going to be seduced by this American born Indian vixen, and she goes to Coney Island to break up their date. 

 Julie M: You are hilarious.

I liked The Blue Umbrella but it was too self-consciously arty (i.e., slow-moving). Beautifully shot, boring story. We know Stealing Is Wrong and there will be Consequences, just move it along, please. The little girl was totally adorable but she doesn’t seem to have done much since?

Oh, and I prefer “manic happy Salman” to “romantic Salman” where he gets this sappy expression on his face and gazes deeply into someone’s eyes.

Jenny K:  I think The Blue Umbrella was done as a break between Maqbool and Omkara. After all that angst and violence, he needed a bit of sweetness and art 🙂 It did very well in the filmfest circuit, I believe.

Part 11: Mani Returns. Of Ajay

[JK’s Note:  I know it’s a bad pun…you try coming up with a relevant title for this many disparate films in the middle of the night :-)]

Julie M:  Rang De Basanti…was kinda dumb in the first half but then it got good. So sad that they all died but it was done very well. Aamir totally rocks.

[JK Note: Daler Mehndi singing really helps the rocking on the title track!] 

 

Jenny K: I watched it again last night because I knew you had it, and time has been kinder on it in my eyes. I still like the energy of the first half, or even more, right until [Spoilers. Highlight to view.] they decide to ape the past and kill government ministers they don’t agree with. I felt it was more of an “inevitable tragedy” this time, but as it wasn’t a true story, where “it is what it was”, this always feels like more of an endorsement of the strategy than is conscionable to me, even with the half-assed “we’re so sorry” at the radio station. I’d much rather the kid turned evidence over to the cops on his dad than that he killed him while hugging him.[End spoilers.]  Bleh.

I will be perfectly happy when Aamir and SRK stop trying to play college students, or recently ex-college students, and play their ages more often (both 46 this year), or at least closer to their ages. I grant they do 10-15 years younger, reasonably well. I have most of Aamir’s films, so if you want something in particular, let me know.

 

Julie M: I thought in the first half they spent way too much time establishing how goofy and uninvolved these students were. I was bored by the repeated scenes of undergraduate (and Aamir) carousing. I also thought it would have been more effective to have the change in their outlook come about more gradually than via a sudden tragic event, but I understand that in life sometimes that happens. That would have [Spoilersmade their decision to kill the minister more logical. I didn’t find the apology half-assed at all–I thought they put their full asses into it, particularly the kid who killed his dad. I actually found that the most moving part. I thought the scene where the Muslim and the radical Indianist, former bitter enemies, died holding hands was too much, though. [End of spoilers.]

I agree that SRK and Aamir should start playing their ages. B noticed how old Aamir was (particularly as contrasted to the goofy behavior of his character in the early scenes) and made a snarky comment.

 

Jenny K: They both have been doing more realistic ages recently (and buffing their bods up, too) but I still worry they’ll sneak one in. The Indian idea of middle age is not considered food for drama, I think. If you’re not married, you’re suspect, at best odd. If you’re not knuckling down to business, you’re some sort of wastrel. If you don’t have a family well in progress, you’ve wasted your life…(yeesh, I’d be a pariah there!) however, when you have kids in a film, you’re automatically downgraded to “elder” status, unless you’re a widower (KKHH). Can’t win for losin’ I hope they explore a bit more. Much more to tap.

 

Julie M:  Yah, well, now they know the Hollywood-female paradox. Ingénue/single-chick roles, then lots of nuthin’ after age 35 or so, then feisty older woman or “mom” roles starting at 50.

You are more charitable about SRK than I am. I really liked his acting in My Name is Khan but still feel he is constrained in his abilities. Ajay Devgan…HIM I love.

 

Jenny K:  I may send you a “my favorite Ajay pics” package sometime, but you might have to agree to put up with a bit more of the predictable romance/drama rhona-dhona, as they say. He is absolutely GORgeous in one with Preity and Madhuri where he plays a double role (yep, every actor in BW does one at least once) Yeh Raaste Hain Pyaar Ke but it’s very melodramatic, esp. toward the end. Then there’s the remake of French Kiss, Pyaar To Hona Hi Tha with Kajol (it may be where they met) and Raincoat, both of which I’ve recommended before. In Dewangee he plays a simple songwriter who has lots of trouble fighting for his girl, one of his bests, a good suspense film, but there are some leftover “90’s” bits that may bother you. Chori Chori is a rather cute remake of Goldie Hawn’s Houseboat with Ajay doing Steve Martin to Rani’s Goldie…but he’s not as kooky as Steve is, of course. She is double Goldie’s ditz, the ultimate Manic Pixie Dream Girl as the technical term is nowadays, and loosens Ajay’s staid self up quite a bit.

He’s great as a villain, too…cold and corporate in Company, cold and calculating in Khakee, that I liked with BigB and Akshay Kumar and Aish, he also does cold and almost comatose in a really hilarious anti hero in Qayamat, but I can’t really recommend it because the script is so bad, and the rest of the cast’s hamming doesn’t help elevate it to comedy as Ajay’s take almost does. Also promise me to never get Ishq with Aamir and Ajay together. You will absolutely hate it. Too much slapstick, and bad slapstick, too. Kaal he looks great in but it’s a stupid film and his part is a cameo.

 

Julie M:  I reserved Raincoat at the library, so I’ll get it eventually. And I like the occasional romance/drama, just not regularly. If I’m going to invest 3 hours in reading a movie I want it to be meat and potatoes, not cotton candy.

I’m watching Company tonight. Then I’ll send everything back to you.

 

Jenny K:  I hope you like Company. I haven’t watched it for a while, but remember thinking the boys did very well. And did you see Yuva yet? Maybe I missed your report on it.

Forgot to mention…the character of Sona in RDB was Saif’s sister. Could you tell? I think they both look just like their mother, Sharmila Tagore. Used to be a movie star, now just royalty (poor thing 🙂 . Saif and Soha are sorta prince and princess, too, but the title doesn’t pay the bills.

 

Julie M:  OH–and I really liked Yuva.  Beginning was confusing and arty but eventually it made sense. Did not like to see LittleB as a wife-beater or Rani as an abused wife, but their performances were excellent. Viveik was good too–he always seems to do well when paired with Ajay, at least from the two films I’ve seen them in together. Loved loved loved the last scene when they strode into the parliament chamber dressed in ratty jeans when everyone else was an older man dressed in white traditional clothing, and took their places. Awesome movie all around–thanks!

[Jenny’s Note: Looks like BigB has his own Youtube channel.  He’s put Abhi’s whole film in one piece to watch free, HD w/subtitles, online!  Score!]

 

Julie M:  Thanks for the re-recap. I think almost anything Ratnam and Rahman do together is good…even if Ajay is a very unlikely college student at this point. He falls victim to AK/SRK syndrome, too. Probably ought to put Salman in there as well.

[a few days later…more Mani Ratnam]

Julie M:  Saw Kannathil Muthamittal (A Peck on the Cheek)  this evening. Wow–GREAT movie on every level. Great music, great visuals, great story. THAT’s the kind of movie I like!

Jenny K:  Yeah, I said it was Ratnam’s best, better even than Dil Se which I love. The only thing I worry about, occasionally, is that viewers might turn it off during that first light weight song with the kids. The movie isn’t like that at all. I wonder what he was thinking. The ending certainly isn’t for all children. He does like explosions, doesn’t he? I think my favorite song/music combination is that somber one where you’re watching the town in Sri Lanka being moved out of their homes, lonely and bereft, going who knows where. I thought it was rather surprising when I saw the film at a festival here in DC that I’d never really heard about the Tamil Tigers and their uprising in Sri Lanka when it had been going on for over twenty years and was just put down two years ago…twenty six years of war in the north of the island. I’m so out of the loop.

Wish this clip wasn’t so squashed, but it has the subtitles, at least.

 

Julie M:  Oh, I knew about the political background, and liked that it was simply treated as a given rather than a big honking deal like it would have been in Hollywood.

[Later in the week]

Julie M:  Darn my library for only allowing 3 days on borrowed videos!! I have the following movies waiting for me to pick up:

Rangeela
Bluffmaster!
The Blue Umbrella
Hum Dil De Chuke Sanam
Umrao Jaan

Understanding that I can’t pick them up until Saturday and have to get them back Tuesday, which order should I see them in to make sure I get to see the best ones first?

 

Jenny K:  Rangeela and HDDCS are the big fluffy musicals, but both classics in their melodramatic way. Aamir just plain dances his feet off and it’s Rahman’s music in Rangeela. It’s one of those Girl wants to be a film star more than anything. Boy loves her but helps her do it. Will she realize that she loves him, too, or sell out to the Bollywood Life? Sidenote, when Kajol in KKHH is doing that “sexy dance” while they are playing charades at camp, she’s making fun of Urmila Matondkar’s dance on the beach in Rangeela. Urmila had been a child star who in this film is trying way too hard to be taken as a sexy adult (sorta an early version of Brittany Spears). Maybe cross Brittany with Annette Funicello. Aamir out-acts her, of course, though she’s had some good outings, since. Tehzeeb comes to mind.

HDDCS is directed by Sanjay Leela Bhansali, who did Devdas and Black. His first film, I think, or second. Still working out his style, but some things are really cool, like Aish is supposed to be a tomboy and starts the film with some sort of game in the desert with the other kids, kilting her sari up and going for it. Almost like a dance.

She falls in love with Salman, who is half  “Italian” half Indian, and a Christian. Her family doesn’t go for it and sets her up with Ajay D. We all know who I’d go for, but I don’t write ’em. When Salman goes back to “Italy” it’s really Hungary and it looks really silly. He also cries a lot in this film toward the end. And Salman never cries convincingly. Don’t know why. Some lovely dancing. High Rhona-dhona level of melodrama.

Umrao Jaan is lovely and a classic, and a must-see if it’s the older version from the eighties with Rekha. If it’s the newer one with Aish, push it to the end of your list…fairly boring, I think. It’s about a courtesan/singer-dancer, I believe the term is nauch girl, who is higher in status than just a prostitute. When you’re talented in these gentlemen’s clubs, you would get to choose, to an extent who you sleep with and when. She falls in love with one of her clients, and you have to see how it works out. Lots of up and downing before the end. I actually liked the novel better, of course, but Rekha is exquisite in it. She played Hrithik’s mom in Koi Mil Gaya and is still a looker, if excentric.

The Blue Umbrella is sort of a kid’s fable by Vishal Bhardwaj, the same director as Omkara and Maqbool.   It’s a simple style, but eloquent and Pankaj Kapur who plays the crazy old coot who befriends the child with the brella is fabulous.

Bluffmaster, is sort of on the level of the Dhoom films. Flashy conmen, LittleB looks cute, Nana Patakar is in it too, and he’s one of my favorite character actors, but I don’t even remember much more about it. Cotton candy film. Fun but not very memorable.

So, if it were me, I’d probably skip the last two unless it’s the new Umrao Jaan then I’d skip that and one of the last two, not sure which. Hope that helps.

 

Julie M:  Thanks. It’s the newer Umrao Jaan. I didn’t know there was a quality difference, so I’ll just check it out and dump it right back in the return bin. My library has the older one too: I just requested it but I won’t get it in hand until next weekend. (that takes care of one decision) I liked Dhoom 2 but haven’t seen Dhoom. I might watch Bluffmaster, then, and Rangeela, and The Blue Umbrella. Will save HDDCS for last and see it only if I have time.

Next weekend B is out of town at a show so I can watch as many girly Bollywood movies as I like.

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