January 6, 2014: Guns and Six-Packs, Part II

Continuing from yesterday’s musings on muscles and mindless fun in the movies, with…

Julie M:  Dhoom 3 (2013)…wherein my eyeballs were drawn to Aamir and I was thoroughly bored with any scene in which he did not appear.Dhoom 3 POSTER

Plot summary: Our top-cop “heroes” from Dhoom and Dhoom 2, ACP Jai Dixit (Abhishek Bachchan) and his silly sidekick Ali (Uday Chopra) have been called to Chicago to help investigate a string of bank robberies at which inscriptions in Hindi have been found along with a clown mask.  They very quickly figure out who the robber is but they can’t understand how he does it and cannot manage to catch him.  Meanwhile, we learn the backstory of the robber:  he is Sahir Khan (Aamir Khan), who had grown up in his father’s (Jackie Shroff) Great Indian Circus in Chicago, but experienced personal tragedy when the circus was forced to close down for lack of funds, a situation exacerbated by the refusal of the Western Bank of Chicago to lend them any more money.  His plan involves robbing branches of that very bank to gain the funds to resurrect the Great Indian Circus and avenge his father’s ideas.  Aliyah (Katrina Kaif) is the dancer/heroine who is important to the success of the rebooted circus act.  The action of the film involves Jai and Ali tracking, chasing and outwitting Sahir in an attempt to bring him to justice, with a stunning revelation just before the interval that leads the second half into a completely different direction.  Take a look at the trailer. 

Jenny K:  I saw it with Pat on Christmas Day, and didn’t hate it!  Imagine!  And I was prepared to…after watching Dhoom (1), I figured that Dhoom 2 must have been some kind of fluke.

Julie M:  Nyah, nyah, I saw it first!  Not by choice…I made the error of going to see it on the Saturday before Christmas, in a major mall cinema (aka something to avoid), as part of a Meetup group that didn’t quite meet up.  So I saw it alone.

Jenny K:  Aw…it’s amazing how many Meetup.com meetings end up as solo events…sorry, though.

Katrina decorating the stageJulie M: Given the nature of the Dhoom films (of which I vastly preferred Dhoom 2) I didn’t expect much more than a bunch of action scenes, some scantily clad lasses a la Bipasha Basu in Dhoom 2, a star-of-the-moment slimmed to nothingness as the lead actress, a big hunky male star as the villain and a bad rap song.  In some ways I was vindicated, but in other ways I was very much surprised…most of them having to do with Aamir.

Jenny K:  I’d be interested to know how much of the change in tone of this outing from the last two films is because of AK’s influence, or because of the directorial switch.  Sanjay Ghadvi did the first two in the series (ostensibly tied up, at the time, in a contract to TV 18 Television) and it was given over to Vijay Krishna Acharya who had done dialogue on the first two, but is less proven as a director.

Pat and I both thought that where Dhoom 2 was a much more “good old mindless eye-candy fun” film, D3 tried for more but didn’t reach it. Its plot was very thin, and what there was was a pilfered riff on Christopher Nolan’s The Prestige, which was a much more stylish movie.  Aamir seems drawn to Nolan’s projects, doesn’t he? The Ghajini/Memento treatment springs to mind. And once again, the inflating of the backstory doesn’t help the Indian version to skim along, at least I don’t think so.

Julie M:  I enjoyed the backstory much more than the front story.  Chicago was an unusual location for Bollywood to select, and it looked stunning in both the flashbacks and current timeline.  I found Jai and Ali dull to the extreme, not to mention the yawning plot holes about how they came to be called in and how they instantly figure out it’s Sahir who’s the villain.  And the ever-present motorcycles…gag me.  Although I did like when Sahir’s motorcycle turned into a jet ski.

Jet Ski TransformerJenny K:  Well, that stunt was right out of Jai’s first entrance in Dhoom 2, at least the shooting up from under the water part of it.  I found that bit really old hat.

The “yeah right” factor in the film, overall, is pretty high. Right up there with the “why bother” factor. Children aging twenty-plus years, while bankers don’t, at all. Adults holding personal grudges against impersonal institutions, in ways that don’t make sense. As you said, too many indistinguishable motorcycle chases for my taste. Why were Abhi and Uday even there? They didn’t do much good until the end, and then they didn’t foresee the literal cliff-hanger, and given the D2 end, you’d think it would be the first place his mind would go.

Julie M:  And they looked ridiculous in the opener, which was supposed to establish them as heroes.  Abhi and Uday more or less sleepwalked through their parts, to my mind.

Jenny K:  Aamir did a very nice job in his acting, as always…turning what could have been a cliché into a tour de force with the skills he displays. [spoiler] You almost never have a problem knowing which brother you’re looking at. Everything changes in his body language, his voice timbre, etc. to give us two completely different people. Not an easy thing to do. Has he done that before? I can’t remember, and I’ve seen most of his stuff. Better question, how has he avoided doing a twin flick this long?!? [end spoiler]

Julie M:  I figured that there had to be something about this role that made him agree to do it…he’s not the typical hero or villain, which meant there was a serious side to the entire story where he could do some real acting.  And we got it in spades in the 2nd half…I totally agree with all your observations and was mesmerized by what he was doing.

Sahir's disappearing apartmentI also like that he got to dance and be physical, which is not something he usually does these days. The scene at the beginning where he is buffed and waxed and wearing nothing but a derby hat, in this big empty apartment overlooking the great view of Chicago…what an entrance!  You knew he was not going to be the typical villain (although I did wonder where that apartment went, because we never saw it again through the whole movie).

Jenny K:  I also liked his musical and magic numbers, full-out, old-school
production numbers like this one.

You can see how hard he works to get just the right effect. He’s in great physical condition, pumped up to compete with the Salmans of his field, but thankfully, not so washboard-ab-like that he looked like a walking tank.  His physique seemed appropriate for the acrobatic work his job entailed.  He’s always been very graceful, and continues to show that here.

And though the chemistry with Katrina isn’t smouldering, as the Hrithik/Aishwarya version was, it worked where it was meant to.  I don’t even find the height difference between Katrina and AK that much of an obstacle. Tribute to his personal sang-froid.

Julie M:  Or lifts… Aamir’s tap dancing, while not technically accurate (yeah, they dubbed in the taps), definitely was energetic and he was committed to it.    It’s like he knew he couldn’t beat Hrithik’s dancing and decided to just be himself.

Jenny K:  Katrina’s skills weren’t really tested that much in this film. Her part is very small, and the numbers she does are good, but sort of easy thrills. She isn’t really there in the script other than that of “designated love interest”…even Jackie Shroff has a juicier role and he only does one real scene (even if it is done several times).

Julie M:  Yeah, but she was the requisite skinny babe, and even I could tell that there was a reason for her heavily accented Hindi, being as she is supposed to be quite Indo-American in this film.  I liked the ending, though…very female-empowerment, and really calls to mind some questions about her motivations throughout the film.  Did she know?  Was she manipulating?  Or was it some sort of homage/tribute?

I also enjoyed the updating and “flip” of the by-now traditional “Dhoom Machale” number.  In D2 it was Hrithik Roshan (the villain) in the opening credits, in D3 it was the girl (heroine-ish) in the closing credits. 

Jenny K:  So, overall, I’m not sorry I saw it, but wish they had gone a bit further to prop up the plot and be worthy of the painstaking work that Aamir put into it.  Oh, and I hope he burns that derby, very soon.  I find myself wanting River Song to make a visit with her six guns and fill the hat full of holes… “Derbies are cool, indeed…pow-pow-pow!”   Sorry about the Doctor Who non-sequitur.

Julie M:  It remains to be seen whether there will be a Dhoom 4, given the lukewarm (except for Aamir’s performance) critical response to D3.  Pity, because Dhoom 2 really was a lot of fun.

Jenny K:  Hmmm…I heard the box office reports, in India at least, were through the roof.  Sounded like that well ain’t dry yet.  Maybe GrandbabyB will do a cameo in the next one!

January 5, 2014: Guns and Six-Packs, Part I

Did you miss us?  In the flurry of holidays between Diwali and Christmas we saw two star hunks in two films…and not at home in front of our tvs, but in theaters, no less!  Ranveer Singh and Deepika Padukone in Ram-Leela and Aamir Khan and Katrina Kaif in Dhoom 3.  They generated such a flurry of words, that we’ve had to split it into two parts!  Enjoy the festivities with us.

Jenny K:  Kathy and I saw Goliyon Ki Raasleela Ram-Leela (A Play of Bullets:  Ram-Leela, 2013), and if I had just left at the interval, I would have said that SLB had gotten it all back, all that lushness that made Devdas a standout. It’s complete sensory overload, and he can make it all palatable. The trailer gives you an idea. 

Julie M:  I saw it too, with my friend/former student Kristy, who just loves big spectacles.  Should we do a plot summary?  I promise I’ll be quick…Ram (Ranveer Singh) and Leela (Deepika Padukone) are denizens of longtime opposing gangland clans who have all but taken over a Gujarati village.  If this sounds like the setup of Shakespeare’s Romeo and Juliet, it is.  He sees her after he crashes a party at her house and falls instantly in love, they have a way cool balcony scene, they decide to run away together, her relative kills his friend, he kills her relative, and he becomes a wanted man.  And so on and so forth.  There are twists that make this film very Indian (her family’s don is her mother; he gets a masala-style, way overblown but very fun hero entry song a la Salman Khan,  and, true to form, the second half is almost a totally different story that takes Shakespeare to the “what if…” level.

Jenny K:  I wish I had known the translation of the title before I went into the theater…add to that, I was running a bit late and missed a ten minute chunk of the beginning, so I literally didn’t see the bullet-storm coming.  And so, for me, the second half just goes off on a violent tangent that changed my whole review of it. Now, I didn’t expect a happy ending or anything…it is a reworking and an updating of R&J, after all, but this overarching firestorm of violence is just too much.

I feel like SLB locked himself in a screening room, watching an endless loop of Gangajaal and Shakti and no one let him out for months! It’s changed his whole list of emotional colors in his paintbox…with all the problems I’ve had with him over the years, I’d always complain of overdoing the emotional and individual tragedy element.  He’d never be the director giving us those village-wide breast-beating, hair tearing revenge fantasies that I hate.  Yet it seems he’s into it now, and, true to Bhansali’s tendency to needless excess, he’s given us a film so relentless in its symphony of slo-mo jewels of shattering glass and varying liquids, that it overwhelmed the splendor he had worked so hard to get back.

Julie M:  It is super-violent, right from the first scene.  I wasn’t happy about that.  But I disagree that it was relentless. I found it to be very SLB-splendid even with the violence:  a visual treat.  I was totally satisfied, and having Ranveer and Deepika to look at for nearly 3 hours was just like the old days.

Jenny K:  The performances were definitely fun. Ranveer and Deepika generate some real heat onscreen, and have lots of loveliness of body, and often of face (on her part). Deepika is finally finding her groove in a big way. By the way, I ended up seeing it again, the whole of it this time, with Pat.

Julie M:  Totally agree.  Gotta say, it was the hottest, sexiest love story I’d seen in a while…talk about chemistry! And KISSING!!! I was shocked, but intrigued.  I would have preferred that he not have been bearded because I really wanted to see his lips. I’m still fanning myself lest I get the vapors. I’m still thinking about how Ranveer buffed up for this. He should do commercials for whatever program he followed, because…whew.

Jenny K:  Ranveer’s buffing was almost overdone for me. He reminded me of those weightlifters who can’t quite recognize their biceps and thighs as their own and so move very carefully and self-consciously. I actually found Khanji (Sharad Kelkar), Leela’s brother, more attractive in his bedroom scene with his wife…especially with that voice! I was quite impressed with Sharad throughout, and am definitely going to find more of his films. But I agree with you about the beard having to go…had a sort of Amish effect of flattening his chin out.  I, too, found their chemistry together to be very hot. Surprisingly so. Pat thought that Leela’s writhing on the bed in various scenes to be way too vulgar and western for her tastes. I didn’t like it so much in the “balcony scene” (a bit “too much, too soon”, there) but thought it was okay on the wedding night.

A big problem for me would have been eliminaed if SLB hadn’t felt the need to stick the “R&J Rework” tag on it. As a lifelong Bardmonger (literally one who sells the Bard for a living) that sort of challenge has me immediately poking holes in weak parallels…”Shouldn’t Juliet, at least, be just a bit more sheltered and innocent, and not quite so drenched in ‘Eau de Slut?'” And our Ram-eo, why the heck is he portrayed as an arrogant pornographer?

Julie M:  Well, we are talking the criminal underworld here. He’s an arms and porn dealer, she’s a don’s princess daughter who’s grown up with guns, seen her mother undertake all kinds of illicit activities and not batted an eye–plus her mother seems to have ignored her and allowed her to run wild in her gilded palace. And as for Eau de Slut…nobody is an innocent 14-year-old here: these are fully developed hormones running rampant in adults (well, maybe 20/25-year-olds).

Jenny K:  Just shows the weakness of trying to make it an R&J comparison in the first place, if all they can think of (I’m talking to both SLB and Vishal Bhardwaj, who does it a bit better) is making a transition between the moneyed upper classes of Renaissance Verona and a severely fictionalized whup-ass crazy blood-lusting Rajasthani underworld. Both may try to keep their princesses pure, both will probably fail (in a search for drama) but in R-L it seemed doomed from the git-go.

Julie M:  I find it interesting to compare Deepika’s two organized-crime-princess turns this year, Chennai Express and Ram-Leela. She wasn’t allowed to get horny in CE, only feisty, so she really turned it on here. I read that she was extremely embarrassed about the kinds of things she had to say and do in R-L, but man, it was like she was born to do them. Both characters were total fantasy and it worked.

Supriya Pathak as the don in Ram-LeelaJenny K: I like her turn in Chennai Express a lot better, even though in R-L she is an electrically visual presence.  In CE she was more likeable and sweet…I guess I just go for the safe in my heroines and sexy in my villainesses.  How predictable of me!

Speaking of deliciously evil, Supriya Pathak (Pankaj Kapur’s wife) is absolutely the perfect villainess…and mafia don. Revenge personified. But the inter-village hatred and plotting gets sort of confusing after a while.

Julie M:  I too got confused about the clan-warfare machinations midway through the 2nd half, and I’m not really sure how Ram and Leela decided [spoilers] that the only way to end it all was to kill each other, because that seemed a bit drastic to me. Still, it was R&J and they had to die. [end spoilers] And  for once I was mesmerized during every song. Not just the big dance numbers (of which there were THREE!) but even the slower ones. Just fascinated. I nearly fainted with all of those ladies during Tattad Tattad, and I loved how they used a variety of styles for the dance numbers (South, and Punjabi, and Bollywood). Priyanka Chopra Ram Leela Hot Item Song Photos

About the only thing that disappointed me–and I knew it would–was Priyanka Chopra’s item number, which only displayed how bad a dancer she was compared to Deepika and how plastic and bleached her face looked.

Jenny K: Poor Priyanka!  She dances better than I do (I haven’t seen her mambo, though, and mine’s pretty good!), and her acting is usually better than Deepika’s, at least so far.  Loved her in Barfi!, for example.  And Tattad Tattad was fun, but I think the person who nicknamed it “the dandruff song” had it right, seriously odd choreography!

All in all, I’d say, worth seeing, but if you’re gun-shy, I’d consider leaving at the break…who needs the extra hour and a half, anyway!  But for the other point of view, Pat said something along the lines of “three hours of my life wasted” and/or “I’d rather have my eyes gouged out than watch that again”.

Julie M:  I say stay.  I LOVED the entire thing, simply adored it, and felt that it worked, really WORKED. My friend liked it too—her first Bollywood film. I think I may have converted someone.

Nothing says Love like a Revolver

  • Categories

  • Blog Stats

    • 65,500 visits
  • January 2014
    S M T W T F S
     1234
    567891011
    12131415161718
    19202122232425
    262728293031  
  • Archives

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 24 other followers