Part 1: Julie’s Introduction to Bollywood, or Surviving the Blockbuster, K3G

[Jenny K’s Note:  The first several parts of the diablog, are in fact, a recap of the cinema adventures I put Julie through over the past four months. About mid-July, I thought, “Some of these posts are really helpful as a sort of primer for anyone wanting to know what to watch next and where to find it.” It also was a good emerging forum for critiquing them, because as new as Julie is to it, she has a real, informed opinion on them, and isn’t afraid to voice them when she doesn’t agree. I, usually, stick to my guns, and will defend my melodramas to the last sniffle. So, I’m hoping you’ll get different points of view in many cases. Do feel free to jump in and voice your opinions in the comments as often as you like. Friendly disagreement is appreciated here. Unfriendly ones will be sent back to the sender for “re-editing,” if you know what I mean.]

Julie M’s Note:  Being completely inexperienced in the ways of Bollywood I picked my first video up at my local library, which surprisingly has a pretty decent collection. If you live in a large metro area with any kind of Indian population, check the holdings of your system because it’s a free way to start the addiction. Why this particular movie? I first became interested in Bollywood through the music. I adored A.R. Rahman’s work on Slumdog Millionaire and found some music videos randomly on YouTube. When I discovered Jenny’s addiction I first asked her to recommend some great numbers, and she responded with LOTS and LOTS of links. As it happened, the ones I liked best were from Dil Se so I requested it from the library. Unbeknownst to me, Jenny had meanwhile sent me a gift of three videos: Dil Se, Kabhi Khushi Kabhie Gham and a compilation DVD starring Shah Rukh Khan (SRK) in remixes and original numbers from his movies. So we were thinking along the same lines.

Julie M:  Hey–just wanted you to know that I watched Dil Se tonight. Pretty weird…not “Bollywood” as I would have expected it, and B [Julie’s husband and occasional viewing companion, at home] thought it was too long. Kind of started out “typical” but got way serious and then the ending! OK…so what’s next, o Bollywood guide?

Jenny K: Oh dear…if he thought Dil Se was too long…don’t let him watch Kabhi Khushie Kabhie Gham…it’s well over three hours. Some people, not used to the length, watch it to the intermission and do the next half on another day 🙂 After you get used to it, it’s hard to go back to the ninety minute format here in the US. I like spending more time with the characters getting to know them.

You did get the other two DVDs didn’t you? I haven’t actually seen the video compilation one, but it looked decent and it was actually in stock…I will say that the last quarter of the list seemed to be videos that SRK wasn’t even in, so I was confused about why they put them in the set. [Note: This is a common problem on compilations, whether DVD or Audio. The CDs, especially are shorter than an average US album, and so there is often filler at the end of the songs from the movie. If you’re lucky, it’s songs from other movies that the star has been in, but that’s not a given.]

Hope you liked Dil Se…It’s one of my favorites, weird or not. It isn’t typical, and didn’t do very well at home in India because the ending wasn’t happy, but for me, if his obsession had ended happily with her dumping her cause and marrying him, having a family and 3.5 kids…well, it just wouldn’t have been the right ending. K3G is much more the typical musical melodrama. The video you liked (I think) with Shah Rukh soaking wet in the shadow of the pyramids is from that one.

Julie M: Did like Dil Se. And you’re right–[Spoilers: highlight to view] it couldn’t have ended with him getting her. But I kind of was hoping he would end up with Preeti after Meghna had completed her mission, and gotten some kind of happiness out of life anyway.  [end of spoilers]

I did not get the other 2 DVDs. ??? forgot what they were…but I just requested K3G from my library. Our system has a lot of Bollywood DVDs–huge Indian community here. Is Om Shanti Om any good? Is that one considered “Bollywood 300-level” because it makes fun of Bollywood? and should I wait until I complete the 101 course before I attempt it??

Jenny K: Okay, K3G,  from what B said when I spoke with him today, I’m not sure that he’ll like it…it’s very melodramatic. I like the ups and downs, it’s like the old pot-boilers of the 50’s. My mom was a Shah Rukh fan and she liked his storyline, but didn’t like the younger son storyline…I make exceptions because Hrithik who plays the younger son, grown up, is so handsome and SUCH a good dancer that I can put up with the AWFUL clothes they often put him in. And it’s even longer than Dil Se… so you might want to make it a two-nighter, breaking it at the intermission.

Pretty funny that you picked the same film that I sent you! No wonder that we were both confused…As to Om Shanti Om…it could stand alone, but I might watch a few more before you tackle it, because the inside jokes will make more sense. Also, it’s almost too melodramatic, in my opinion.

For others that you should see first, Omkara (for B) is an adaptation of Othello set in the millieu of the gangs of the Indian countryside…great music. Also, Taal with Aishwarya Rai (“The Most Beautiful Woman in the World”, TMBWITW for short) is a tad clichéd, plot-wise, about a country girl who falls in love with a rich city boy, and how she loses him and gets him back, but if you haven’t seen too many, you won’t mind the clichés much. I drove all the way to Urbana to see it at Ebertfest one year…gorgeous music, people, scenery. Dil Chahta Hai is a three-guy buddy picture dealing with their growing up and romantic travails…set in Bombay, Goa and Sydney, Australia. Lagaan is another picture that I liked set in the upper western countryside in the late 1800’s about farmers that form a cricket team to beat out the local British soldier’s team to save the village from paying exorbitant taxes. It was up for a best foreign film Oscar back in 2001 or 2002, not sure which. Didn’t win, but it was how I was introduced to Indian film. Kal Ho Naa Ho is another wonderful weepie with Shah Rukh, that has some great visuals and lovely numbers. One I’ve introduced lots of friends to Bollywood with.

There are more, but that will do for a start. I will warn you that most libraries have Asoka in their Shah Rukh collections and I’d wait to see it unless you’re up for a laugh. He looks great in it with the hair extensions and the bare chest and all, but it’s sort of Conan the Barbarian, the Musical, masquerading as early Indian History. Goofy fun and all, but pretty hard to swallow, until you’re ready for it, in my opinion.

[after the long weekend]

Jenny K:  So how did you survive Kabhi Khushi Kabhie Gham? I’m betting B couldn’t handle it…it’s more of a girl’s guilty pleasure thing, I’ve found. If you didn’t like it, it’s okay to tell me. Some people find it too melodramatic, and Dil Se is more memorable as a full film, but K3G has lots of fun moments, I find, and lots of fun actors that you’ll be seeing a lot of if you keep going in this. Almost everyone in it is a film star in his/her own right, it was a sort of Superstar Glut for Indian film. I’ll be interested in your opinion. How you react will tell me what I recommend next…if you haven’t overdosed on all of it 🙂

Julie M:  Liked it with the following comments:  It’s pretty melodramatic. WAY too much drama in some moments, but it was an interesting insight into Indian culture and mindset particularly among the obscenely wealthy. (I found that on my DVD player I could speed up 2X, still see the subtitles and get the facial expressions, and zoom through the particularly sappy scenes) Some really cool songs. B liked the big dance numbers from an aesthetic perspective but blanked out on the storyline. Hrithik Roshan is too beautiful to be believed and a way better dancer than SRK. Amitabh Bhachan plays the stern dad very well but he’s a terrible dancer. The Anjali character was adorable. I hated the Pooja character–way too shallow–and she never really redeemed herself enough to have the Rohan character believably fall in love with her. And SRK seems to get wet in pretty much all of his films, right? (He showed way too much sappy face in this film–not a good look for him, he seems to do better as the rakish adventurer)

So here is the deal. Recommend me films that are not this melodramatic and don’t have so much of “the formula.” I like great costuming and scenery and great dance music. And the unusual–surprise me!

Jenny K:  I see you got all the good bits and didn’t fall for the drivel. An astute viewer. Still and all, every BollyViewer has to have seen this one. I stand by most of the ones that I recommended before (which have disappeared from my message list, for some unfathomable reason, so I can’t review them) but perhaps you should save Taal for some day when you are home with a cold and can handle another dose of the melodramatic….no, it’s not quite as melodramatic as K3G, but it’s really beautiful, and the music is so amazing that you should see it sometime. Kal Ho Naa Ho, I loved, especially the first time I saw it, but the end is way too weepy, I’m guessing. It’s set in NYC and stars SRK with Preeti from Dil Se again.

Best bets on my original list for you are:
–In a period historical mood: Lagaan
–In a modern romantic dramedy mood: Dil Chahta Hai
–In a crime thriller/tragedy mood: Omkara
–In an oddball political statement movie hiding in what starts like an Indian Shirley Temple movie mood (lots of little kids singing…doesn’t go on like that, trust me): Kannathil Muthamittal (A Peck on the Cheek) by Mani Ratnam, the director of Dil Se…
–In a mindless gazing at Hrithik Roshan dancing mood: I’d try Dhoom 2, he looks absolutely gorgeous, and dances like a dream, and actually develops screen chemistry with Aishwariya Rai (in my opinion, a first for both of these dancing stars).   But I qualify it, as not a traditional film, but pretty modern; it’s a “young people’s caper flick” lots of skin, quite a bit of slapstick sidekick stuff, and some of the silliest, tongue in cheek crime capers you’ll ever see. Especially the one on the train…I still can’t understand how/why they could use it with a straight face.

Best of luck, intrepid viewer 🙂 I’m proud of you and B, both for making it through K3G!

Bollywood Shell Shock

So, this is a website for those of us clueless non-desis who discover The Joy That Is Indian Cinema and don’t know what to do about it. What do I see next? What does that mean? Where do I get the movies? And who can I talk to about my growing obsession, without their putting me in a little white coat in a padded room? White, I never wear white… I feel more partial to reds and oranges now. Too much Rajasthani in my color pallet these days, I’d guess.

I got hit by the BollyWave back in 2003. I am a costumer by trade, and have always collected costume films. I picked up a copy of Lagaan and what followed, completely engulfed me. Now, after about eight years, I’ve seen over 350 different films, some multiple times (to encourage others to come on board, of course…I don’t sit in my room at night watching Dil Se… over and over again…not often…) and I have completely given over my car stereo to the works of AR Rahman, Vishal Bhardwaj, Sukhwinder Singh and Shankar-Ehsaan-Loy, with some Mohammed Rafi and Shubha Mudgal to vary things a bit. And every other weekend or so, my new local Bollywood buddies (Kathy and Pat, primarily…last names omitted until they choose to reveal themselves) and I try to find a movie or some other Indian cultural event to further our mania.

Now that local converts aren’t enough, I’ve begun to work my wiles on old friends from college, online. No, you’re not safe from Bollywood, even in the American Heartland. Not when you catch the bug. That’s where Julie comes in. We’re planning to revisit our first emails about these films, almost exactly in the way they evolved, conversationally as a dialogue. Hopefully, you’ll see and hear some of the things that you’re looking into yourselves, or perhaps will, now that we’ve suggested it.

I’ll let Julie tell her own story, but I will say, that I am so glad that we’ve found this common, no “interest” isn’t enough, common fixation to get back in regular touch with one another. It had been too long, and I’d missed her wit and sense of humor. I think you’ll like it, too.

Oye, Chak De Phatte!

* There will be a glossary in the categories pages, if I can find a way to do it.  This one is Punjabi for, “let’s bring down the house, get this party started.”

Glossary Post for Those Fab New Phrases

This post is going to be added to more than any in the whole blog.  Hopefully you can access it by the dropdown categories menu.  We’ll try to keep ‘em current (and alphabetical) so we can limit the “WHAT?” aspect of our newer readers.

bakwas or bakvas — nonsense, rubbish.

beta or beti — son or daughter, respectively.

bhaisaab — Term of address for an elder brother.  Bhai, itself being brother, the saab being used almost like “sir”.

bhang — A narcotic drink made of a mixture of milk, almonds, spices, sugar and marijuana.  Proliferates more during certain holiday seasons.

bhangra — A very rhythmic music and a lively style of dancing, heavy on the drums. Example from Bride and Prejudice, here.

chak de phatte (Punjabi) — Used to be a war cry, now heard mostly shouted at the top of their lungs by Sikh guys at the wonderful, wonderful bhangra dances.  It means, literally, “take up the floorboards” but is used more as “let’s bring down the house” or “let’s get the party started”.  Best back up and put in bhangra, now.

chee — Hindi expression of disgust.

deewana — crazy or mad, usually used non-seriously in films. Similar to pagal, but with the sense that the person is crazy because of  love.

desi — Of the homeland, native to India.  So, non-desi is anyone else, aka, us.

dharm/dharma — religion or duty

dhoti — a men’s lower garment made of one seven yard piece of fabric, draped and pleated at the waist and between the legs into a very loose trouser shape.

dishoom — (us. plural) the sound made when a hero’s fist connects with his target or the sound of a bullet firing.  Can be sometimes used for a specific cool, tough attitude.  Amitabh, in Deewaar, has dishoom.

EFD — short for Emotional Family Drama, a genre of Indian film.

Eve-teasers — sort of self-explanatory, but a generic term for boys who whistle at or verbally harass usually helpless girls.  The teasing has a sexual tone, and it may get physical, but that may have it’s own term, and hopefully, I will never know it.

falooda — a cold, sweet beverage popular in South Asia.  Usually made with rose syrup and vermicelli and/or tapioca pearls.

filmi — Sort of self evident, but used mostly as an adjective, for a rather cinematic, overly dramatic attitude, as seen in the most play-acty of the films.

goonda/gunda — hired thug, usually underworld.

gora — white male.

gori — White female.  That be we, whether we like it or not. :-)

hulchul — noise and commotion without much sense.

inquilab zindabad — Hindi, from the Persian, for “Long Live Revolution!”

item number — a song within the film, usually in a nightclub, and often not put in to advance the plot, only to advance the “item girl’s” career.  Sometimes done as a “special appearance” cameo by a known star.  Example SRK in the beginning of Kaal, was the “item boy”, in silver pants, no less.

jadoo — magic

jadugar — magician

jodi — pair or partner, as in a romantic couple.

kahani — story, and so, prem kahani — love story.

ladki — girl, and ladka is boy.  Pronounced more to my ear like “ler-khi”.

lassi — sweet, yogurt based drink.

mela — fair or carnival.

nach — dance, in Hindi.

nafrat — hate

nahi! Nahi!! NAHI!!! — never! Never!! NEVER!!!  or no! No!! NO!!!  In Indian films, everything worth emoting over is best said thrice.  Preferably, with audible thunderclaps.

nautch girl — female performer in a men-only atmosphere, like a nightclub or in days gone by in a brothel or a private manor home.

NRI — Non Resident Indian.  People born in the homeland, but living abroad, and their offspring.

pagal — crazy or mad, usually in a casual, not serious way. Similar to deewana.

paisa vasool — worth the money spent on it.

prem — love (in Hindi), often the hero’s name in a romantic film.

Priyadawanism — personal slang for very very slapsticky, a la the work of directors Priyadarshan and David Dawan.

puja — a worship ceremony.

qawwali — usually an Islamic religious song, or one adapted from this tradition.

rhona-dhona — anguish, tears, gnashing of teeth.  An angsty hulla-balloo.  Can be used like the word melodrama, or fuss.

rudaali — professional mourner

sangeet — the musical evening held a day or so before the actual wedding celebration.

shaadi — a wedding and it’s surrounding celebrations.

tanhayee or tanhaai — loneliness

yaar — colloquial for friend, often used like pal or mate at the end of a phrase.

zamindar — wealthy landowner

That’s all we’ve used for now.  I’m sure we’ll be back very soon.

Best of luck!

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