Jenny K: I know I’ve been on a jag recently, touting the charms of the almost-thirty set of heroes, so now I want to put on the brakes and celebrate the possibility of age appropriate (read “Over 40”) romances. They are out there, one just has to hunt for them a bit…and some of them are worth the extra trouble.
First on my list of Netflix “Meant-2-Watch” films, was Main Aurr Mrs Khanna (2009). I remember hearing about this film in connection with Aamir and Kareena, something about Aamir dropping it for reasons unreported. Having now watched it…I don’t blame him at all. Here’s the trailer.
Now, our hero in this one, Salman Khan, is definitely over 40, deny it as he will, but his heroine, Kareena Kapoor…not exactly an equal match, shall we say. Salman plays Samir Khanna, who falls in love with an un-surnamed orphan, Raina (Kareena) and in the unexplainable attraction of woman to goofy-man-child, she marries him. Maybe it’s just because he offers her his last name for her missing one. Almost immediately we cut from their “idyllic” married life, to the effects of job-loss on Samir’s ego. He tells her she must go back to live with his parents in India (why?), and leave their home in Melbourne, because the only place he can get a job now is in Singapore, and his ego can’t seem to bear her sticking by him and watching him struggle.
She, of course, resents his settling her fate without a word to her, and she digs in her heels at the airport and just doesn’t get on the plane. She vows to stay in Australia and wait for him, and somewhere, somehow, she’ll get a job and support herself. Brave girl…sniff sniff…With Salman all but out for the middle three-fifths of the film, Raina must find another savior, and turns to a random cafe-wallah, played by Sohail Khan (who also directed this fiasco) who falls instantly in love with her and vows to win her confidence and love. Even though he knows she’s married and in love with her husband. Creep.
Julie M: Salman and Kareena. Hmm, an odd couple indeed. I never thought they went well together, even in the superhit Bodyguard. Well, probably a good thing that they spend most of the film apart, then.
Jenny K: The rest of the plot doesn’t really need to be summarized. You’ve seen it all before, yet I must remark on how calm Salman/Samir seems when he gets the news that in order to stay in Australia without him…
Stupidity Alert…..I mean spoiler alert…spoiler alert…yeah right….
Raina agrees with her new friends that she must lie to her host country and all concerned and marry Sohail so she has her valid work visa. Never mind that she’s ALREADY MARRIED?!?!? Not that they “did anything” of course…even though we’ve established that Sohail’s character has very sketchy morals in the first place.
A few good looks for Salman after he gets over being a goofy kid and dons a saintly mystique along with his bad luck…and a nice song…by Rahat Fateh Ali Khan are pretty much all that recommend it. Skip.
Julie M: Sohail Khan…that’s Salman’s brother, right, the one whom you hate and whom I didn’t think was so bad in Hello, an otherwise execrable movie? Maybe he just looked good in comparison to the drivel that was the rest of it.
Jenny K: No, I definitely don’t recommend Main Aurr Mrs. Khanna. Yes, Sohail is Salman’s brother, but if I have to watch one of them, Arbaaz is always more watchable, though he seems to specialize in psychopaths. The only film that I’ve enjoyed Sohail in was an extended cameo he and Arbaaz did in Jaane Tu Ya Jaane Na, which if you haven’t watched, you should. Imraan Khan’s first film. Sweet. Youtube here.
Julie M: Salman with a ponytail…LIKE. Like a LOT.
[a few days later]
Julie M: I’m back! Because I could not get out to see either Rowdy Rathore or Joker, I decided to get a silly Akshay Kumar comedy fix with Singh Is Kinng (2008). It actually was pretty good–escapist, and at times laugh-out-loud hilarious. As a taste…here’s the fantastic number in the beginning of the film that reaffirms how wonderful Akshay’s movies can be.
Punjabi villager Happy Singh (Akshay Kumar) is a sweet, helpful, well-meaning man around whom things tend to go horribly wrong, to everyone’s dismay and Happy’s obliviousness. Here’s the opening scene that establishes Happy’s character as a disaster in a kurta.
After a number of years of Happy’s causing (comic) mayhem and destruction the villagers decide to move him along, and concoct a ruse to send him to Australia (what is it about Australia?) to retrieve the long-absent son of the village headman. Trouble is, this son is Lucky “The King” Singh, a notorious and brutal don (played by Sonu Sood, whom we see far too little of past the first third of the film), and Happy would be lucky to get away with his life. Problem solved, the villagers think.
So Happy departs with his friend Rangeela (Om Puri), whose only value to the endeavor is that he knows English, only there’s a mixup at the airport and they end up in Egypt, not Australia. While they are waiting for their correct flight Happy wanders off to sightsee and ends up saving a young woman Sonia (Katrina Kaif) from a robbery, and spends the day with her. Of course he falls in love with her, but since they are off to Australia he will never meet her again. Or will he?
Jenny K: Same gender/age scenario, again! I know it is almost a given in today’s Bollywood (and the rest of filmdom), that our forty-something hero is immediately irresistible to any and all twenty-something females, but can’t there be (somewhere!) a similarly-aged female object of their desire? It’s getting more and more frustrating from my point of view. Sorrry, baaack to the Kinng.
Julie M: May I point you to a little movie you sent to me called Cheeni Kum…anyway…
Jenny K: [backpedaling] Heck, Jule, the rules don’t apply to Amitabh! It’s a given that he is still attractive to any and all female age groups, as is Naseerji…sigh…okay, okay, go on with the synopsis.
Julie M: Upon arrival in Australia they look up Lucky and go to convince him to come back to see his dying (so they think) father. Lucky and his entourage give them the brush-off and that is that…Happy and Rangeela again find themselves in a foreign country with no luggage and waiting for their plane home. They get separated and Happy meets Rosie (Kirron Kher), a down-on-her luck florist originally from a village near his, who takes him in, feeds him and gives him a job to earn his meals. Enjoy this clip of the meeting between Happy and Rosie: Kirron Kher is the best “cool mom” in Bollywood.
During his first task he runs into Lucky and the gang, and through typical Happy circumstances a skirmish with a rival gang breaks out and Lucky becomes paralyzed. Another mix-up or two later and Happy ends up taking the kingpin’s place as the head of the organization. More mix-ups, and it turns out that Sonia is Rosie’s daughter, Rosie has to pretend she’s wealthy to impress Sonia’s fiance (Ranvir Shorey), and they all move into Lucky’s mansion where the gang members (including Lucky’s nearsighted and half-deaf brother Mika, played by Javed Jaffrey, and hanger-on Udaas, played by Yashpal Sharma) have to pretend to be servants.
Suffice it to say that the pretenses lead to hilarity, character development ensues, there is an attempted coup and Happy spreads his happy sweet magic over everyone. The climactic scene (yes, there is a chase) is actually pretty funny, not too overdone as tends to happen in Indian comedies.
Jenny K: Ah, well, I knew someone had to like this film. It was a pretty big hit when it came out. I saw it in the theater. And though it didn’t bug me as much as, say Bewaafa or Waqt, SIK left me pretty cold, as per usual. Glad you got something from it.
Julie M: I think I was just in the right mood. Akshay Kumar flashes his winning smile all over this one, which of course I loved, and looks great in a turban. Heck, in this he looks great in everything: in both Punjabi village clothes (which on him look like designer duds) and the actual designer clothing he wears when he assumes the King role.
The combination of comedy and action is, if not perfect, at least proportional with no comic-action scene lasting too long, as is often the case with this type of film. Katrina Kaif’s bad Hindi is excused by having her character grow up in Australia, and her two item numbers are pleasant enough if generic–nothing smashing, she looks cute, let’s move on. Beautiful scenery in Egypt and Australia, and for once the requisite love-among-the-ruins song actually makes sense. Best thing about it is that they are dancing in front of Deir El-Bahri, my favorite Egyptian mortuary temple, and in the Karnak temple. Doesn’t make any sense since they were supposed to have landed in Cairo and Luxor/Valley of the Kings is like 300 miles away, but I give them credit for at least not randomly zooming over to Switzerland.
Javed Jaffrey plays a double role as Mika and as Sonia’s fiance’s father; in a clever nod to the dual-role trope, all of the characters recognize the resemblance but it does not become part of the actual plot. A rap duet between Akshay and Snoop Dogg over the closing credits is mediocre at best, but Javed is his own playback singer in one number, which is unfortunately rap-based but not at all annoying for that.
Verdict: an extremely pleasant time-pass if you are in the mood for silliness, with a great cast, and nothing for Akshay to be embarrassed about.
Jenny K: Finally! Relief for my complaints is here! I recently got to the theaters to see the Boman Irani/Farah Khan love story Shirin Farhad Ki Toh Nikal Padi (2012). I went just for pure curiosity to see how Farah Khan would do in her acting debut, and darned if she didn’t surprise me! She came off pretty well. The trailer is really broad humor, and so is a bit misleading. It’s not as slapstick as it looks when you view the whole movie.
I went to see SFLTNP with my Hindi film buddies, Pat and Kathy. We’re all over 40 and so we’re really eager to support any film that shows there is life after that “extreme age” hits us. And I thought it was a rather sweet love story, while still having the slightly jaundiced view of the mature couple’s outlook on things. Pretty funny, too.
The story is of a lonely 45 year old Parsi guy, Farhad (Boman Irani) who can’t seem to find the love of his life to settle down with. He lives with his widowed mother (Daisy Irani, who steals every scene she’s in) and his grandmother (Shammi Aunty) who both dote on him. They can’t figure out why he’s still single…unless it has to do with his working as a salesman in a women’s lingerie store “the Tam Tam Bra and Panty Store” as Farhad repeatedly states to all who ask. Ya Think?? He certainly doesn’t seem too happy there. He has dreams of opening his own shop someday, and calling it UNDERWORLD. Funny guy.
Julie M: I can just imagine Boman surrounded by ladies’ undergarments. But go on…
Jenny K: He meets Shirin (Farah) one day at his store when she’s there shopping, and he likes her sarcastic sense of humor and spunkiness. His mother likes her too, until it is revealed that Shirin is a Parsi official who has been targeting the illegal water tank that Farhan’s father built for them before he died. Didn’t get the permit, it seems. But when Shirin’s “cover” is blown, Mama draws the line in the sand, it’s either “THAT WOMAN” or your mother? What to do, what to do? Sneak around Mama, of course, and lots of singing and dancing.
It’s fun to see Farah dance to some of her own choreography…in “Ramba Mein Samba”, she and Boman spoof many of the Shahrukh/Kajol/Madhuri numbers that made her the choreographer to get. Very sweet…especially love the KKHH/DDLJ train scenes. Here’s that number. and here’s the number with the slingshot that they’re spoofing from Hum Aapke Hain Koun with Madhuri and Salman, if you haven’t seen it.
On the whole, a very favorable experience, and I’m going to pooh pooh the nay-sayers who find Farah’s acting wooden. She’s more laid back than Boman (who wouldn’t be?), but I think that’s just her own personality, and it certainly felt real to me. A few plot issues, but not too bad.
A brave attempt by all concerned, and multiple chins-up, I mean thumbs-up, from this over-40 reviewer. We ain’t dead yet, so let’s see more examples of it!
Julie M: Hear, hear. And as I am about to dip a toe into young love again with Tere Naal Love Ho Gaya, I will remember that not so young love is pretty awesome too.